by Barbara Hoffbeck Scoblic ‧ RELEASE DATE: July 8, 2025
An engaging snapshot of the challenging but rewarding ups and downs of aging.
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An author offers a bittersweet look at growing older in her new memoir.
The realities of aging are often more complicated than many people admit. Presumably, it’s the reason why Oscar-winning actor Meryl Streep once tartly observed that “aging is not for the faint of heart.” For most people, it’s something they’d rather not think about until reality intrudes, as Scoblic’s smart, sharply written collection of essays suggests. The book opens with her entering a senior independent living facility in Bethesda, Maryland, in 2022,after the death of her husband, and after taking one fall too many. She describes her new situation as an unsettling, disorienting reality of constant adjustments, especially regarding physical matters. When the author sighs, “I miss my old body terribly,” many readers will sigh right along with her—because everyone will eventually make those adjustments themselves. The same rules apply to memory and concentration: “Silent, taunting Wordle and smug Spelling Bee destroyed my confidence, reminding me of what my mind once had been,” she notes at one point. However, she also effectively characterizes her new world as offering her an unexpected freedom to enjoy things for their own sake: “I write only when I want to write, and I make my own deadlines,” she exults. “I don’t have to worry about anyone else, about making dinner, about who’s coming over.” Freed from the pressures of making a living, she can go about her craft and enjoy smaller triumphs; indeed, that’s the main takeaway of this book: Enjoy what you have, even if you’re faint of heart. Over the course of this collection, readers will find plenty of relatable moments, anchored in tightly written, two- and three-page essays and broken up by relevant nuggets of conversation throughout. If half of all late-in-life remembrances were so well crafted and well disciplined, it would be cause for celebration, making this a valuable read for aspiring memoirists.
An engaging snapshot of the challenging but rewarding ups and downs of aging.Pub Date: July 8, 2025
ISBN: 9798896360223
Page Count: 216
Publisher: She Writes Press
Review Posted Online: July 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
Review Program: Kirkus Indie
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by Steve Martin illustrated by Harry Bliss ‧ RELEASE DATE: Nov. 17, 2020
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
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IndieBound Bestseller
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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by Ozzy Osbourne with Chris Ayres ‧ RELEASE DATE: Jan. 25, 2010
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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