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LOST WITHOUT THE RIVER

A shaggy but powerful work about a South Dakota family.

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A writer examines her childhood in the rural Midwest in this debut memoir.

“If you ever come to these gently rolling hills in northeastern South Dakota,” writes Scoblic early in her book, “with the farmlands nestled near two clear lakes, decorated with the twisting of the Whetstone River, late May would be the time to make the trip.” In this land—beautiful and hard in different ways—the author began life as Barbara Hoffbeck, the seventh child of Roman Catholic farmers who had struggled through the Depression. Growing up in the 1940s, Scoblic experienced a childhood that was in some ways picturesque: picking the strawberries that grew on the family’s property and catching snapping turtles with one of her many brothers. But there were tragedies, too, as when the author’s oldest sister, who had no control “over her muscles” and lived in a crib, died when Scoblic was 7 years old. In addition, two of the author’s siblings were sent to live with her grandparents. Scoblic wanted more for herself than the difficult road of her parents, and she eventually went to college, served in the Peace Corps, and settled permanently in New York City. Yet the lives of her parents, siblings, and extended family were never far from her mind, and this volume of reminiscences charts not just the stories of her youth, but also the ways those things have shaped and weighed on her throughout her adulthood. The author’s prose is lyrical and highly observant, offering surprising, incidental details, as in this passage about sitting in church: “Through those narrow openings, scents of grass and wild clover filtered in, along with a few flies and box elder bugs. Those bugs gathered in great clusters on the sides of buildings every August. When viewed up close, they displayed an art deco design of slate gray and orange.” Featuring family photographs, the memoir is infused with a subtle melancholy, which is perhaps to be expected in a book about a place and people now gone. But in the folds of the digressions and anecdotes readers will find an unmistakable joy on the part of Scoblic: the joy of returning to a place, having left it. The joy of carrying it within her wherever she goes.

A shaggy but powerful work about a South Dakota family.

Pub Date: April 16, 2019

ISBN: 978-1-63152-531-5

Page Count: 296

Publisher: She Writes Press

Review Posted Online: Jan. 15, 2019

Kirkus Reviews Issue: March 1, 2019

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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