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WASN'T THE GRASS GREENER?

A CURMUDGEON'S FOND MEMORIES

Using the art of the essay—a form Dr. Johnson called “a loose sally of the mind”—Holland (Endangered Pleasures, 1995) presents miscellaneous reveries of past delights. Though it may help, one is not obliged to be a geezer to be captured by the charm of most of Holland’s ardent recollections. Not long ago, she convinces us, the grass was emerald green, the sky bright azure. Her concerns include funny old customs like greeting passersby from front porches and sending telegrams to transmit big news. Gone are America’s great factories and grand department stores. Do people still gather round pianos to sing? Do windows still open to unregulated ambient air? Are things mended anymore? What happened to liquor cabinets? What happened to poems that scanned and rhymed and were memorized? What happened to us? If all this sounds reactionary, perhaps it is; or perhaps it’s just nostalgia. The essay “Homogeneity” might (unfairly) be read as regressive. Maybe that is simply an inherent danger in a testament to a time not so long ago when, in nicely observed retrospect, things seemed a lot better. Once, all we had to worry about was atomic destruction. Now, along with proper disposal of plastic wrapping and kids’ unsupervised play, we worry about the air that contaminates our toothbrushes. The author remembers “when people who thought germs were nesting in their toothbrushes got slammed into psychotherapy.” The 33 ruminative essays collected here vary in length and topic from the sublime (“Falling in Love” and “Art,” scarcely two pages each) to the mundane (“Radiators,” more than four pages and “Worries,” more than ten pages). Nostalgia, naturally, is tricky. It’s appealing to those who share the recalled pleasures and puzzling to their juniors. This collection, fitting stylistically somewhere between E.B. White and Andy Rooney, should rightfully be taken as a time capsule instructive to younger generations, a source of amazement to those yet unborn. Here’s a felicitous loose sally concerning common practices that have passed largely without notice.

Pub Date: June 1, 1999

ISBN: 0-15-100442-0

Page Count: 256

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1999

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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