A loving remembrance of a tender, enduring intergenerational relationship.
Rhoda vividly remembers exciting New York weekends with her grandfather Toppy, the artist Charles R. Knight, who created many of the murals at the American Museum of Natural History.
Co-author Kalt—Rhoda herself, now grown up—provides a frame, using their weekend jaunts as an entree into Toppy’s life. Toppy was nearly blind but was nevertheless determined to become a wildlife artist, inspired by childhood visits to the American Museum of Natural History. He took art lessons, studied the animals at the Central Park Zoo, and spent hours at the museum’s taxidermy department. His first assignment was painting a prehistoric creature, working from a skeleton. He used every skill he had developed and brought all his knowledge of animals to the task. In scenes with little Rhoda, Toppy’s impromptu lectures, demonstrations, and expansive invitations provide further insights into his character and artistic achievements. Most important is his gentle insistence that Rhoda follow her own heart in determining her future endeavors. Two voices narrate the tale, in both present and past tenses and across several time periods. It is somewhat awkward, but Kerley maintains a careful balance, and it works. Knight’s own lifelike creations appear interspersed with Stephens’ bright, clever, and whimsical gouaches on watercolor. Rhoda and Toppy are white. In a note, Stephens tells of his own vision impairment and his admiration for Knight, and an excerpt from Knight’s own work is also appended.
A loving remembrance of a tender, enduring intergenerational relationship. (authors’ notes, sources, photos) (Picture book/memoir. 4-9)Pub Date: Sept. 25, 2018
ISBN: 978-1-338-13427-8
Page Count: 48
Publisher: Scholastic
Review Posted Online: June 24, 2018
Kirkus Reviews Issue: July 15, 2018
A good introduction to observation, data, and trying again.
Cece loves asking “why” and “what if.”
Her parents encourage her, as does her science teacher, Ms. Curie (a wink to adult readers). When Cece and her best friend, Isaac, pair up for a science project, they choose zoology, brainstorming questions they might research. They decide to investigate whether dogs eat vegetables, using Cece’s schnauzer, Einstein, and the next day they head to Cece’s lab (inside her treehouse). Wearing white lab coats, the two observe their subject and then offer him different kinds of vegetables, alone and with toppings. Cece is discouraged when Einstein won’t eat them. She complains to her parents, “Maybe I’m not a real scientist after all….Our project was boring.” Just then, Einstein sniffs Cece’s dessert, leading her to try a new way to get Einstein to eat vegetables. Cece learns that “real scientists have fun finding answers too.” Harrison’s clean, bright illustrations add expression and personality to the story. Science report inserts are reminiscent of The Magic Schoolbus books, with less detail. Biracial Cece is a brown, freckled girl with curly hair; her father is white, and her mother has brown skin and long, black hair; Isaac and Ms. Curie both have pale skin and dark hair. While the book doesn’t pack a particularly strong emotional or educational punch, this endearing protagonist earns a place on the children’s STEM shelf.
A good introduction to observation, data, and trying again. (glossary) (Picture book. 5-8)Pub Date: June 19, 2018
ISBN: 978-0-06-249960-8
Page Count: 40
Publisher: Greenwillow Books
Review Posted Online: March 26, 2018
Kirkus Reviews Issue: April 15, 2018
A ribald and uproarious warning to those unschooled in fishy goings-on.
Sharpson offers so-fish-ticated readers a heads up about the true terror of the seas.
The title says it all. Our unseen narrator is just fine with other animals: mammals. Reptiles. Even birds. But fish? Don’t trust them! First off, the rules always seem to change with fish. Some live in fresh water; some reside in salt water. Some have gills, while others have lungs. You can never see what they’re up to, since they hang out underwater, and they’re always eating those poor, innocent crabs. Soon, the narrator introduces readers to Jeff, a vacant-eyed yellow fish—but don’t be fooled! Jeff’s “the craftiest fish of all.” All fish are, apparently, hellbent on world domination, the narrator warns. “DON’T TRUST FISH!” Finally, at the tail end, we get a sly glimpse of our unreliable narrator. Readers needn’t be ichthyologists to appreciate Sharpson’s meticulous comic timing. (“Ships always sink at sea. They never sink on land. Isn’t that strange?”) His delightful text, filled to the brim with jokes that read aloud brilliantly, pairs perfectly with Santat’s art, which shifts between extreme realism and goofy hilarity. He also fills the book with his own clever gags (such as an image of Gilligan’s Island’s S.S. Minnow going down and a bottle of sauce labeled “Surly Chik’n Srir’racha’r”).
A ribald and uproarious warning to those unschooled in fishy goings-on. (Picture book. 4-7)Pub Date: April 8, 2025
ISBN: 9780593616673
Page Count: 40
Publisher: Dial Books
Review Posted Online: Jan. 18, 2025
Kirkus Reviews Issue: Feb. 15, 2025
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