A loving remembrance of a tender, enduring intergenerational relationship.
Rhoda vividly remembers exciting New York weekends with her grandfather Toppy, the artist Charles R. Knight, who created many of the murals at the American Museum of Natural History.
Co-author Kalt—Rhoda herself, now grown up—provides a frame, using their weekend jaunts as an entree into Toppy’s life. Toppy was nearly blind but was nevertheless determined to become a wildlife artist, inspired by childhood visits to the American Museum of Natural History. He took art lessons, studied the animals at the Central Park Zoo, and spent hours at the museum’s taxidermy department. His first assignment was painting a prehistoric creature, working from a skeleton. He used every skill he had developed and brought all his knowledge of animals to the task. In scenes with little Rhoda, Toppy’s impromptu lectures, demonstrations, and expansive invitations provide further insights into his character and artistic achievements. Most important is his gentle insistence that Rhoda follow her own heart in determining her future endeavors. Two voices narrate the tale, in both present and past tenses and across several time periods. It is somewhat awkward, but Kerley maintains a careful balance, and it works. Knight’s own lifelike creations appear interspersed with Stephens’ bright, clever, and whimsical gouaches on watercolor. Rhoda and Toppy are white. In a note, Stephens tells of his own vision impairment and his admiration for Knight, and an excerpt from Knight’s own work is also appended.
A loving remembrance of a tender, enduring intergenerational relationship. (authors’ notes, sources, photos) (Picture book/memoir. 4-9)Pub Date: Sept. 25, 2018
ISBN: 978-1-338-13427-8
Page Count: 48
Publisher: Scholastic
Review Posted Online: June 24, 2018
Kirkus Reviews Issue: July 15, 2018
An enchanting work that will delight young readers and undoubtedly spur requests for Caribbean summer vacations.
Another triumph for two masters of picture-book nonfiction.
Having taken readers everywhere from the rainforest to the desert, it was only a matter of time before this dynamic author-illustrator pair invited us somewhere even more tropical. To say that the experience was worth the wait is an understatement. This latest installment of the bestselling series features a brown-skinned father and child as guides into the vibrant world of the coral reef. The book is a harmonious marriage of text and illustration; Neal has composed a symphony of color that makes for utterly immersive settings that also offer opportunities to learn more. As schools of blue tangs swirl and dance in concentric circles around bright red coral, the effect is so lush that even the Little Mermaid would long to return to the sea. Messner’s perfectly chosen prose advances the story, introducing the protagonist to various nooks and crannies of the reef while allowing readers to feel the sensations of floating, diving, and breathing underwater as they turn the pages. Taking youngsters to the inky depths alongside great barracudas and spotted eagle rays, then back to the water’s surface in time for a breathtaking sunset, this engaging book renders the reef mesmerizing.
> An enchanting work that will delight young readers and undoubtedly spur requests for Caribbean summer vacations. (author’s note, more information on the animals featured) (Informational picture book. 4-8)Pub Date: Aug. 26, 2025
ISBN: 9781797225357
Page Count: 60
Publisher: Chronicle Books
Review Posted Online: June 13, 2025
Kirkus Reviews Issue: July 15, 2025
BOOK REVIEW
BOOK REVIEW
An amiable point-counterpoint for budding animal lovers/haters.
Forty-two creatures of ill repute, from scorpions to hyenas, put on their best faces and protest that they’re just misunderstood.
In paired double-page spreads, Corrigan first presents for each animal the case for considering it scary or gross, then, with the page turn, allows it to contradict itself. “I’m creepy and I’m crawly,” a spider supposedly gloats. “I spin webs from my butt and leave them in places where I KNOW you’ll get stuck in them.” In the following spread, the spider points out that “Only half of my kind spin webs, and we really, REALLY don’t want you to get stuck in them!” Along with pointing to roles in the natural order and including many crowd-pleasing references to butts and poop, these counterarguments tend to run along the lines of the rat’s “I’m a fluffy little SWEETIE!” and the toad’s “I am a plump lump of CUTENESS!” Each testimonial is backed up by a box of background information baldly labeled “FACTS.” Readers may find the chorus of smiley faces and claims of adorability unconvincing, but they will at least come away with more nuanced impressions of each creepy-crawly. The humorous cartoon illustrations don’t measure up to the in-your-face photos of Seymour Simon’s classic Animals Nobody Loves (2001), but this gallery of beasties unfairly regarded as “icky and ewwy and downright gross” is considerably broader.
An amiable point-counterpoint for budding animal lovers/haters. (glossary) (Nonfiction. 6-9)Pub Date: April 7, 2020
ISBN: 978-0-7112-4748-2
Page Count: 160
Publisher: Frances Lincoln
Review Posted Online: Feb. 25, 2020
Kirkus Reviews Issue: March 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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