In a tawdry account, Barbara Kuklinski describes 25 years of abuse at the hands of her husband, a convicted New Jersey hit man who claims to have killed dozens of times. Driver, formerly a producer of TV's America's Most Wanted, splices segments from his prison interviews of hit man Richard Kuklinski with the reminiscences of his wife, Barbara. Claiming that she ``made a career out of not asking'' her husband questions, Barbara Kuklinski recalls that in 1960, when she was 19 and dating Richard, she learned that he was already married and had two children. She tried to break up with him, but he changed her mind by cutting her with a knife. Later, when she was pregnant with their child, he knocked her out for kissing her own father hello. As she describes such incidents and the later violence and terror to which he subjected her and their three children during their marriage, Barbara reiterates that Richard was often generous and kind, that there was ``a good Richard and a bad Richard.'' A pool hustler, petty criminal, and porno-film dealer in his early 20s, Richard claims that he ``connected'' with ``wiseguys'' he'd played poker with and began working as a collector, ``a reliable independent contractor.'' He says he'd already killed someone by the time he was 17 (Driver substantiates precious few of Richard's jailhouse boasts). He describes killing several men using a variety of methods (``I can't even remember them all''). He also hints that he killed Roy DeMeo, ``a Gambino crew boss,'' and that the hit was ``sanctioned...by an unnamed organized crime figure.'' He's serving four 30-year sentences in Trenton (N.J.) State Prison. This portrait of an ugly marriage and a brutal, bullying sociopath is about as insightful as an afternoon talk show. (8 pages b&w photos, not seen) (Author tour)
Pub Date: Nov. 9, 1994
ISBN: 0-525-93786-2
Page Count: 352
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1994
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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