An intelligently conceived and artistically executed reconsideration of religious history.
A novel reimagines the life of the Buddha’s wife, a powerful spiritual figure in her own right.
As Yasodhara, the daughter of the “village oligarch,” mourns the accidental death of her younger sister, Deepa, she is thrown into confusion and despair. She vows to find and rescue her sister’s spirit one day, a commitment poignantly depicted by McHugh: “Under the white misshapen moon, I knelt down and promised my sister that if at all possible I would find her soul so she could be with her family again and not have to travel through realms of samsara, lonely forever.” But years later, when her older sister, Kisa, on the cusp of marriage, dies as well, she offers to take her place and marry Siddhartha, hoping to lift the weight of her mother’s grief. Siddhartha has a reputation for frivolously enjoying sensuous pleasures but becomes a devoted husband, though he is plagued by the suffering of the world and tired of therapeutically creating “false paradises” to avoid it. He abandons Yasodhara and their son, Rahula, only days old, to seek spiritual enlightenment; he’s gone for so long she considers remarriage. Siddhartha eventually finds both spiritual awakening and a considerable following, but when Yasodhara decides to join his order, she is prohibited because she is a woman, a problem thoughtfully portrayed by the author. Refusing to be daunted, Yasodhara disguises herself as a male aspirant and assumes the name Ananda. She not only attempts to become a monk, but also persuades Siddhartha, now the Buddha, to open his ranks to women, a possibility some consider “preposterous.” McHugh deftly manages to vividly convey a moving drama with a message about female empowerment at its core without indulging in any heavy-handed, didactic sermonizing. This is an impressive tapestry of history, spiritual philosophy, and literary drama and an edifying look at the patriarchal limitations of Buddhism’s genesis.
An intelligently conceived and artistically executed reconsideration of religious history.Pub Date: Jan. 5, 2021
ISBN: 978-1-948626-23-1
Page Count: 360
Publisher: Monkfish Book Publishing
Review Posted Online: Nov. 2, 2020
Kirkus Reviews Issue: Dec. 1, 2020
Review Program: Kirkus Indie
PROFILES
Realistically detailed, poetically charged, and utterly satisfying: apparently there’s nothing Egan can’t do.
After stretching the boundaries of fiction in myriad ways (including a short story written in Tweets), Pulitzer Prize winner Egan (A Visit from the Goon Squad, 2010, etc.) does perhaps the only thing left that could surprise: she writes a thoroughly traditional novel.
It shouldn’t really be surprising, since even Egan’s most experimental work has been rich in characters and firmly grounded in sharp observation of the society around them. Here, she brings those qualities to a portrait of New York City during the Depression and World War II. We meet 12-year-old Anna Kerrigan accompanying her adored father, Eddie, to the Manhattan Beach home of suave mobster Dexter Styles. Just scraping by “in the dregs of 1934,” Eddie is lobbying Styles for a job; he’s sick of acting as bagman for a crooked union official, and he badly needs money to buy a wheelchair for his severely disabled younger daughter, Lydia. Having rapidly set up these situations fraught with conflict, Egan flashes forward several years: Anna is 19 and working at the Brooklyn Naval Yard, the sole support of Lydia and their mother since Eddie disappeared five years earlier. Adult Anna is feisty enough to elbow her way into a job as the yard’s first female diver and reckless enough, after she runs into him at one of his nightclubs, to fall into a one-night stand with Dexter, who initially doesn’t realize whose daughter she is. Disastrous consequences ensue for them both but only after Egan has expertly intertwined three narratives to show us what happened to Eddie while drawing us into Anna’s and Dexter’s complicated longings and aspirations. The Atlantic and Indian oceans play significant roles in a novel saturated by the sense of water as a vehicle of destiny and a symbol of continuity (epigraph by Melville, naturally). A fatal outcome for one appealing protagonist is balanced by Shakespearean reconciliation and renewal for others in a tender, haunting conclusion.
Realistically detailed, poetically charged, and utterly satisfying: apparently there’s nothing Egan can’t do.Pub Date: Oct. 3, 2017
ISBN: 978-1-4767-1673-2
Page Count: 448
Publisher: Scribner
Review Posted Online: June 19, 2017
Kirkus Reviews Issue: July 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PROFILES
Though it doesn't feel much like an adult novel, this book will be welcomed by any Blume fan who can handle three real...
A beloved author returns with a novel built around a series of real-life plane crashes in her youth.
Within 58 days in the winter of 1951-'52, three aircraft heading into or outbound from Newark Airport crashed in the neighboring town of Elizabeth, New Jersey, taking 116 lives. Blume (Summer Sisters, 1998, etc.), who was a teenager there at the time, has woven a story that mingles facts about the incidents and the victims—among them, Robert Patterson, secretary of war under Truman—with the imagined lives of several families of fictional characters. Though it's not always clear where truth ends and imagination begins, the 15-year-old protagonist, Miri Ammerman, is a classic Blume invention. Miri lives with her single mother, Rusty, her grandmother Irene, and her uncle Henry, a young journalist who makes his reputation reporting on the tragedies for the Elizabeth Daily Post. In addition to the crashes, one of which she witnesses firsthand, Miri faces drama with her mom, her best friend, the adviser of her school newspaper, and her first real boyfriend, an Irish kid who lives in an orphanage. Nostalgic details of life in the early '50s abound: from 17-inch Zeniths ("the biggest television Miri had ever seen") to movie-star haircuts ("She looked older, but nothing like Elizabeth Taylor") to popular literature—"Steve was reading that new book The Catcher in the Rye. Christina had no idea what the title meant. Some of the girls went on dates to Staten Island, where you could be legally served at 18....The Catcher in the Rye and Ginger Ale." The book begins and ends with a commemorative gathering in 1987, giving us a peek at the characters' lives 35 year later, complete with shoulder pads and The Prince of Tides.
Though it doesn't feel much like an adult novel, this book will be welcomed by any Blume fan who can handle three real tragedies and a few four-letter words.Pub Date: June 2, 2015
ISBN: 978-1-101-87504-9
Page Count: 432
Publisher: Knopf
Review Posted Online: March 16, 2015
Kirkus Reviews Issue: April 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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