Intelligently chosen; essential for students and aspiring writers of fiction as a kind of state-of-the-art (or at least...
The latest installment in a venerable series whose origin stretches back a full century.
In her slender but charming introduction, guest editor and novelist Egan (A Visit from the Goon Squad, 2010, etc.) recalls that she’d been publishing short stories for 21 years “before I managed to eke one into these pages!” Never mind the misuse of “eke”; we know what she means, and the fact is that there’s a lottery aspect to the whole enterprise. It helps to have been published in the New Yorker, as several of these pieces have been; it helps to be Joyce Carol Oates, who appears here, of course, with a story that seems tossed off for her but that would be a major accomplishment for most other writers. Recognizing the “essential arbitrariness” of the honor, then, Egan moves on to select 20 stories that are perfectly exemplary, each in its way. T.C. Boyle does his existential ennui thing with a yarn (from the New Yorker, of course) that hinges on booze, satellites and rancor (“We’d been fighting all day, fighting to the point of exhaustion, and it infuriated me to think she wouldn’t even give me this”). Continuing the boozy theme—writers and their booze!—Ann Beattie serves up a lovely slice of melancholy with a story of a former student bantering with a dying professor (“Enabler? Don’t use phoney words like that”) while puzzling over why her ex-husband happens to be in the bar at the same time. All are serviceable, none bad, but few of the stories are true tours de force, with one notable exception being Lauren Groff’s “At the Round Earth’s Imagined Corners,” the key word being the penultimate one, and Laura van den Berg’s odd, pensive “Antarctica” and its utterly memorable closing line—fittingly, and artfully, the last in the collection.
Intelligently chosen; essential for students and aspiring writers of fiction as a kind of state-of-the-art (or at least state-of-the-trend) snapshot, with a few standouts.Pub Date: Oct. 7, 2014
ISBN: 978-0-547-86886-8
Page Count: 384
Publisher: Mariner/Houghton Mifflin Harcourt
Review Posted Online: Sept. 8, 2014
Kirkus Reviews Issue: Oct. 1, 2014
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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