A most intriguing book and debut.

THE IN-BETWEEN

This debut novel delves deeply into a possibly psychotic character or, perhaps, one who may be experiencing paranormal events.

Fourteen-year-old Ellie nearly died in a car crash that killed her mother, or perhaps it was her father who died. A lonely girl who believes her best friend betrayed her, Ellie moves with her family to a tiny town where Ellie meets the beautiful and fascinating Madeline Torus, apparently Ellie’s alter ego. Madeline simply appears in Ellie’s room, where the two become fast but secret friends. When Ellie starts high school in her new town, Madeline remains in the background, although Ellie claims that it’s Madeline who’s helping around the house. The girl has a history of psychological problems, even including a suicide attempt. She remains convinced Madeline is real although no one else can see the girl—or can they? As Ellie begins to settle in, will Madeline help or hinder her? Madeline has a similar suicidal history….This may be Stewart’s first novel, but she exhibits a practiced skill, keeping events ambiguous enough to have readers guessing throughout. Written in journal form, the scenes change as Ellie enters new periods in her life and begins new journals. Readers, then, encounter only the unreliable narrator, and it is they who will decide if events have been real or imagined.

A most intriguing book and debut. (Suspense. 12 & up)

Pub Date: Nov. 5, 2013

ISBN: 978-1-250-03016-0

Page Count: 256

Publisher: St. Martin's Griffin

Review Posted Online: Aug. 14, 2013

Kirkus Reviews Issue: Sept. 1, 2013

Did you like this book?

No Comments Yet

Engrossing, contemplative, and as heart-wrenching as the title promises.

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2017

  • New York Times Bestseller

  • IndieBound Bestseller

THEY BOTH DIE AT THE END

What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

Did you like this book?

Riveting, brutal and beautifully told.

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2014

  • New York Times Bestseller

WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

Did you like this book?

more