A gripping novella embedded in a thick tome of largely irrelevant window dressing.
Clichéd and overlong novel about war photographers coping with PTSD, love affairs and family secrets.
Bradford’s protagonist, 30-year-old Serena, is a combat photographer who has left the front lines to pen a biography of her late father, Tommy, founder of a photojournalism empire and a former war correspondent himself. When another photojournalist, ex-boyfriend Zac, is brought from Afghanistan to Venice by a mutual friend, Serena, summoned to his side to help him decompress, finds herself falling for him all over again. The scene shifts to Nice, where Serena reconnects with her older twin sisters, Cara and Jessica, at a villa inherited from their late mother, a movie star of Elizabeth Taylor stature. Over many, many glasses of pink Veuve Clicquot and cups of tea, repetitious conversations belabor mostly peripheral and insignificant details—about Cara’s and Jessica’s unadventurous love lives, an upcoming anniversary celebrating their departed parents and Zac’s continuing recovery from a trauma that was never rendered convincingly in the first place. It isn’t until two-thirds in that a potentially riveting “secret from the past” emerges: While combing through her father’s archives, Serena finds a cache of photographs revealing that Tommy may have dallied briefly with another war photographer, Valentina. There are photos of a very pregnant Val, with a disturbing caption suggesting that Serena may not be a movie star’s daughter after all. Serena can get no confirmation of her origins from her sisters or her father’s closest friends. But Zac distracts her from this dilemma with another. Although he promised to give up war-zone reporting forever, he wants to go to Libya to cover the rebellion against Gadhafi. And he insists on taking Serena, now his fiancee, with him. Serena has an ulterior motive for agreeing: Val is now in Libya. But that’s not the most distressing information she’s withholding from Zac. However, the prodigious amount of front-loaded exposition may discourage readers long before the excitement starts.
A gripping novella embedded in a thick tome of largely irrelevant window dressing.Pub Date: April 9, 2013
ISBN: 978-0-312-63166-6
Page Count: 384
Publisher: St. Martin's
Review Posted Online: Jan. 29, 2013
Kirkus Reviews Issue: Feb. 15, 2013
IN THE NEWS
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
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