A slow-paced, complacent introduction to the excitement to come—we hope!

MASTER OF HIS FATE

The launch of what promises to be another blockbuster Bradford series.

Putting aside her Downton Abbey homage (Secrets of Cavendon, 2017, etc.), Bradford returns to her roots chronicling retail dynasties like the Harte family of A Woman of Substance (1979). Readers be warned: The opening volume of The House of Falconer saga appears to be an extended prologue. Replete with opulent décor, beautiful but unassuming rich people, and homey scenes, the narrative is untroubled by the jeopardy this genre demands. A few exceptions: In 1884, 14-year-old James Lionel Falconer, future founder of what is sure to be the Falconer mercantile empire, suffers chest pains while pushing a wheelbarrow near his father’s stall at Malvern Market. His mother, Maude, is afflicted with a cold which could become pneumonia. However, since no outcome ensues for either ailment, we can only assume this is foreshadowing for future novels. When James, now 17, and a friend are set upon by thugs and badly beaten, the police and family suspect a targeted attack, but this loose end is also left dangling. Sent to the port city of Hull, James advances in an uncle’s shipping company and is seduced by an older and cooperatively unclingy widow. James states he “prefer[s] older women”—which bodes well for his future, spoiler alert, liaisons. Meanwhile, Alexis, 25, the auburn-tressed daughter of commercial real estate kingpin Henry Malvern, falls in mutual love at first sight with Sebastian Trevalian, a widowed banker 15 years her senior. Their families approve (including Sebastian’s daughter Claudia, Alexis’ friend), and money is no problem; something has to go wrong, but large swaths of genteel gloating must be endured before it does. As one forgives a dear friend who tends to blather on, readers may tolerate Bradford’s pedestrian, repetitious prose and even enjoy this leisurely stroll through Victorian times, contenting themselves with occasional celebrity references: Doctor Freud, Jack the Ripper, Crown Prince Bertie, among others. The good characters are unambiguously and tediously good, and no believable antagonist arises to create conflict.

A slow-paced, complacent introduction to the excitement to come—we hope!

Pub Date: Nov. 20, 2018

ISBN: 978-1-250-18739-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Sept. 24, 2018

Kirkus Reviews Issue: Oct. 1, 2018

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Miller makes Homer pertinent to women facing 21st-century monsters.

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CIRCE

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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Still, a respectful and absorbing page-turner.

THE NIGHTINGALE

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 20, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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