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SURVIVAL

MY FATHER'S WAR AS AN AIR FORCE GUNNER AND POW

This book’s intensely personal perspective vividly brings a piece of history to life, but many readers may find it difficult...

In this debut biography, a Royal Canadian Air Force gunner’s daughter recounts his World War II experiences, including being shot down over Germany and spending two years as a prisoner of war.

When Albert “Wally” Wallace arrived at Stalag Luft III prison camp in June 1943, he was issued a “Wartime Log” book—essentially a blank diary distributed by the Canadian YMCA so that prisoners of war could record their experiences, sketches, or personal musings. Wallace left his actual book behind during forced marches in the winter and spring of 1945, when the Allies began closing in on Germany. But Trendos uses the log’s format to tell her father’s story, as she says, “in his voice,” compiling information from letters and camp photos he sent home, archived materials from copious sources, and many interviews with her father. (For convenience and consistency, she applied this technique to the period before Wallace’s capture, as well.) Wallace dropped out of high school after one year, and, by 1938, his interest in guns led him to join the Canadian Militia and then the RCAF, in which he became a gunner. After almost two years of training, he shipped out to England on the Queen Elizabeth. Meticulous details about specific guns, bombs, and planes fill the early parts of the text, and they may become a bit wearisome for any readers but military devotees. In mid-May 1943, he was shot down and became a POW in the camp made famous by the movie The Great Escape, in which 76 prisoners fled through a secret tunnel. At this point, the book’s story becomes more compelling as the tone of Wallace’s musings and letters gradually becomes dominated by a focus on his loneliness and frustration. The hunger, the cold, the isolation from the outside—all of this becomes palpable, and, page by page, readers will begin to experience just how long two years of captivity feels. The author augments the text with photos, maps, and reprints of documents and newspaper articles.

This book’s intensely personal perspective vividly brings a piece of history to life, but many readers may find it difficult to get through its military minutiae.

Pub Date: Nov. 11, 2015

ISBN: 978-1-987813-01-2

Page Count: 314

Publisher: Stone's Throw Publications

Review Posted Online: Aug. 14, 2016

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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