As perfectly, honestly childlike in its approach as Margaret Wise Brown and Remy Charlip’s classicThe Dead Bird, this title...
Upon seeing a flattened rabbit on the road, a dog and rat try to honor her in this secular story about compassion and respect.
Walking along, a dog notices something; a rat stops, too. As they stare at a carcass in the street, a halting, awkward conversation ensues. Together, the dog and rat contemplate the rabbit’s existence—and what to do for her now. With a plan in place, the two gently peel the rabbit off the road and bring her to the dog’s house, where they work all night long. In the morning, they reveal a kite, with the rabbit attached. After much effort, the kite is airborne, and as it soars, they wonder if the rabbit is enjoying herself. Not sure of the answer, they let go, and the kite flies aloft, up and over the city. The artist’s pencil, pen and watercolor illustrations are raw and spare. Done in a faded, pastel palette, they thoughtfully convey different perspectives from both the visual and narrative standpoints. Although they depict a gruesome subject (roadkill), there’s nothing grotesque about the images. Spot illustrations on the left-side pages give context to the animals’ environment or foreshadow events to come. Oskarsson offers a pleasing vision of the afterlife, as the dog and rat try to give the rabbit a gift—an experience it didn’t have during its lifetime.
As perfectly, honestly childlike in its approach as Margaret Wise Brown and Remy Charlip’s classicThe Dead Bird, this title should provoke both thought and discussion. (Picture book. 4-7)Pub Date: Sept. 15, 2014
ISBN: 978-1-77147-059-9
Page Count: 40
Publisher: Owlkids Books
Review Posted Online: July 15, 2014
Kirkus Reviews Issue: Aug. 1, 2014
BOOK REVIEW
A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history.
Ferry and the Fans portray a popular seasonal character’s unlikely friendship.
Initially, the protagonist is shown in his solitary world: “Scarecrow stands alone and scares / the fox and deer, / the mice and crows. / It’s all he does. It’s all he knows.” His presence is effective; the animals stay outside the fenced-in fields, but the omniscient narrator laments the character’s lack of friends or places to go. Everything changes when a baby crow falls nearby. Breaking his pole so he can bend, the scarecrow picks it up, placing the creature in the bib of his overalls while singing a lullaby. Both abandon natural tendencies until the crow learns to fly—and thus departs. The aabb rhyme scheme flows reasonably well, propelling the narrative through fall, winter, and spring, when the mature crow returns with a mate to build a nest in the overalls bib that once was his home. The Fan brothers capture the emotional tenor of the seasons and the main character in their panoramic pencil, ballpoint, and digital compositions. Particularly poignant is the close-up of the scarecrow’s burlap face, his stitched mouth and leaf-rimmed head conveying such sadness after his companion goes. Some adults may wonder why the scarecrow seems to have only partial agency, but children will be tuned into the problem, gratified by the resolution.
A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history. (Picture book. 4-6)Pub Date: Sept. 3, 2019
ISBN: 978-0-06-247576-3
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
Though books on childhood anxiety are numerous, it is worth making space on the shelf for this one.
Brock may be dressed like a superhero, but he sure doesn’t feel like one, as social anxieties threaten to rain on his fun .
Juan’s superhero-themed birthday party is about to start, but Brock is feeling trepidatious about attending without his brother as his trusty sidekick. His costume does not fit quite right, and he is already running late, and soon Brock is “way past worried.” When he arrives at the party he takes some deep breaths but is still afraid to jump in and so hides behind a tree. Hiding in the same tree is the similarly nervous Nelly, who’s new to the neighborhood. Through the simple act of sharing their anxieties, the children find themselves ready to face their fears. This true-to-life depiction of social anxiety is simply but effectively rendered. While both Nelly and Brock try taking deep breathes to calm their anxieties without success, it is the act of sharing their worries in a safe space with someone who understands that ultimately brings relief. With similar themes, Brock’s tale would make a lovely companion for Tom Percival’s Ruby Finds a Worry (2019) on social-emotional–development bookshelves. Brock is depicted with black hair and tan skin, Nelly presents White, and peers at the party appear fairly diverse.
Though books on childhood anxiety are numerous, it is worth making space on the shelf for this one. (Picture book. 4-6)Pub Date: Oct. 1, 2020
ISBN: 978-0-8075-8686-0
Page Count: 32
Publisher: Whitman
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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