by Bárður Oskarsson ; illustrated by Bárður Oskarsson ; translated by Marita Thomsen ‧ RELEASE DATE: Oct. 15, 2017
First published in the Faroe Islands in 2016, this is a distinctly different approach to storytelling.
Oskarsson explores perspective and the slippery boundary between the real and the imagined in this existential play date.
A skinny, comically big-nosed rat counts, her eyes covered. It’s hide-and-seek, and the game is on! But no Wilbert can be found. Instead, the rat encounters a wisecracking crocodile (with triangular teeth protruding all along its jawline) who offers to help. Together they search until two gray ears can be seen peeking above a tree. With each spread more of Wilbert appears, until a gigantic hippo, taller than the trees, is revealed. Yet the crocodile still can’t see Wilbert. Despite this, the three continue their game, and the crocodile never finds Wilbert. Readers may question each character’s existence, whose mind they spring from, and how the world is seen through each character’s eyes. A simple cartoon style highlights distinctive animal and plant designs. Single-pane illustrations, done in a pale palette, appear on recto showing the scale of the rodent to other objects, while small vignettes on verso seem to depict the characters with a fly swatter, chasing an erratically buzzing fly. This device is perhaps an attempt to stimulate conversation, but it may result in confusion. Still, there’s no question that children and caregivers will find themselves talking about it.
First published in the Faroe Islands in 2016, this is a distinctly different approach to storytelling. (Picture book. 4-8)Pub Date: Oct. 15, 2017
ISBN: 978-1-77147-301-9
Page Count: 36
Publisher: Owlkids Books
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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by Bárður Oskarsson ; illustrated by Bárður Oskarsson ; translated by Marita Thomsen
by Gregory R. Lange ; illustrated by Sydney Hanson ‧ RELEASE DATE: May 1, 2019
New parents of daughters will eat these up and perhaps pass on the lessons learned.
All the reasons why a daughter needs a mother.
Each spread features an adorable cartoon animal parent-child pair on the recto opposite a rhyming verse: “I’ll always support you in giving your all / in every endeavor, the big and the small, / and be there to catch you in case you should fall. / I hope you believe this is true.” A virtually identical book, Why a Daughter Needs a Dad, publishes simultaneously. Both address standing up for yourself and your values, laughing to ease troubles, being thankful, valuing friendship, persevering and dreaming big, being truthful, thinking through decisions, and being open to differences, among other topics. Though the sentiments/life lessons here and in the companion title are heartfelt and important, there are much better ways to deliver them. These books are likely to go right over children’s heads and developmental levels (especially with the rather advanced vocabulary); their parents are the more likely audience, and for them, the books provide some coaching in what kids need to hear. The two books are largely interchangeable, especially since there are so few references to mom or dad, but one spread in each book reverts to stereotype: Dad balances the two-wheeler, and mom helps with clothing and hair styles. Since the books are separate, it aids in customization for many families.
New parents of daughters will eat these up and perhaps pass on the lessons learned. (Picture book. 4-8, adult)Pub Date: May 1, 2019
ISBN: 978-1-4926-6781-0
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Jim Valeri
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
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