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WHERE ARE YOU, WILBERT?

Name: WHERE ARE YOU, WILBERT?
Author: Bárður Oskarsson
ISBN: 978-1-77147-301-9

by Bárður Oskarsson ; illustrated by Bárður Oskarsson ; translated by Marita Thomsen ‧ RELEASE DATE: Oct. 15, 2017

First published in the Faroe Islands in 2016, this is a distinctly different approach to storytelling.

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Oskarsson explores perspective and the slippery boundary between the real and the imagined in this existential play date.

A skinny, comically big-nosed rat counts, her eyes covered. It’s hide-and-seek, and the game is on! But no Wilbert can be found. Instead, the rat encounters a wisecracking crocodile (with triangular teeth protruding all along its jawline) who offers to help. Together they search until two gray ears can be seen peeking above a tree. With each spread more of Wilbert appears, until a gigantic hippo, taller than the trees, is revealed. Yet the crocodile still can’t see Wilbert. Despite this, the three continue their game, and the crocodile never finds Wilbert. Readers may question each character’s existence, whose mind they spring from, and how the world is seen through each character’s eyes. A simple cartoon style highlights distinctive animal and plant designs. Single-pane illustrations, done in a pale palette, appear on recto showing the scale of the rodent to other objects, while small vignettes on verso seem to depict the characters with a fly swatter, chasing an erratically buzzing fly. This device is perhaps an attempt to stimulate conversation, but it may result in confusion. Still, there’s no question that children and caregivers will find themselves talking about it.

First published in the Faroe Islands in 2016, this is a distinctly different approach to storytelling. (Picture book. 4-8)

Pub Date: Oct. 15, 2017

ISBN: 978-1-77147-301-9

Page Count: 36

Publisher: Owlkids Books

Review Posted Online: Aug. 1, 2017

Kirkus Reviews Issue: Aug. 15, 2017

Categories:

CHILDREN'S SOCIAL THEMES

- BOOK REVIEW
THE FLAT RABBIT
by Bárður Oskarsson ; illustrated by Bárður Oskarsson ; translated by Marita Thomsen

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ON THE FIRST DAY OF KINDERGARTEN

by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

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Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES

- BOOK REVIEW
A PERFECT PLACE TO PLAY
by Tish Rabe ; illustrated by Jim Valeri

- BOOK REVIEW
ON THE FIRST DAY OF FIRST GRADE
by Tish Rabe ; illustrated by Sarah Jennings

- BOOK REVIEW
FIVE LITTLE BUNNIES
by Tish Rabe ; illustrated by Dan Yaccarino

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THE MOST MAGNIFICENT THING

by Ashley Spires ; illustrated by Ashley Spires ‧ RELEASE DATE: April 1, 2014

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

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Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)