Wood wrote three occult novels in the 80's (Amy Girl, 1987, etc.), but her current publisher is promoting her as the author of Twins (1977)—a telling comment on a sagging career that may lift a bit with this vivid if formulaic mix of occult and serial-killer chills. This time, Wood's usual Lady Luckless is poor little rich girl Eve Klein, whose millions can't buy her relief from her other inheritance: the clairvoyant powers that have recently frightened off her husband, Sam. Hoping to confront him, Eve drives from her Connecticut estate to Sam's new house in Raven Lake, New York, where she's instantly felled by a vision of a woman mutilated and dying—the handiwork of local sociopath Adam Fuller, M.D., whose eyes (``empty...dead...glassy. Like a doll's eyes'') give away his utter inability to feel for others, the product of a buried childhood trauma: Fuller kills in the barren hope of feeling pity for his victims. Eve's call to the cops snares homicide legend Dave Latovsky, who takes her to see psychiatrist Terrence Bunner, who happens to have Fuller as a patient. When, at a party, Bunner lets on to Fuller that Eve—whom he won't identify—saw the killer in her vision, the mad M.D. tracks a gory path to the psychic, torturing and shooting Bunner, then a local newsman and his wife, to get Eve's name and address. Meanwhile, at Bunner's funeral, Latovsky notes Fuller's Ken-doll eyes and fingers him for the killer but can't nab him before Fuller snatches Eve, hauling her to his childhood home. There, Eve flashes on the child abuse that turned Fuller into a maniac.... A lurid, loose-jointed tale whose frantic action and emotionalism nearly obscure the familiarity (Koontz, King, etc.) of Wood's themes.
Pub Date: July 26, 1993
ISBN: 0-688-12440-2
Page Count: 384
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1993
BOOK REVIEW
PLB 0-688-13166-2 King Midas And The Golden Touch ($16.00; PLB $15.63; Apr.; 32 pp.; 0-688-13165-4; PLB 0-688-13166-2): The familiar tale of King Midas gets the golden touch in the hands of Craft and Craft (Cupid and Psyche, 1996). The author takes her inspiration from Nathaniel Hawthorne’s retelling, capturing the essence of the tale with the use of pithy dialogue and colorful description. Enchanting in their own right, the illustrations summon the Middle Ages as a setting, and incorporate colors so lavish that when they are lost to the uniform gold spurred by King Midas’s touch, the point of the story is further burnished. (Picture book. 7-9)
Pub Date: April 1, 1999
ISBN: 0-688-13165-4
Page Count: 32
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
Refreshingly filled with love rather than sex, this coming-of-age novel examines the human cost of political repression.
A star-crossed romance captures the turmoil of pre-revolutionary Iran in Seraji’s debut.
From the rooftops of Tehran in 1973, life looks pretty good to 17-year-old Pasha Shahed and his friend Ahmed. They’re bright, funny and good-looking; they’re going to graduate from high school in a year; and they’re in love with a couple of the neighborhood girls. But all is not idyllic. At first the girls scarcely know the boys are alive, and one of them, Zari, is engaged to Doctor—not actually a doctor but an exceptionally gifted and politically committed young Iranian. In this neighborhood, the Shah is a subject of contempt rather than veneration, and residents fear SAVAK, the state’s secret police force, which operates without any restraint. Pasha, the novel’s narrator and prime dreamer, focuses on two key periods in his life: the summer and fall of 1973, when his life is going rather well, and the winter of 1974, when he’s incarcerated in a grim psychiatric hospital. Among the traumatic events he relates are the sudden arrest, imprisonment and presumed execution of Doctor. Pasha feels terrible because he fears he might have inadvertently been responsible for SAVAK having located Doctor’s hiding place; he also feels guilty because he’s always been in love with Zari. She makes a dramatic political statement, setting herself on fire and sending Pasha into emotional turmoil. He is both devastated and further worried when the irrepressible Ahmed also seems to come under suspicion for political activity. Pasha turns bitterly against religion, raising the question of God’s existence in a world in which the bad guys seem so obviously in the ascendant. Yet the badly scarred Zari assures him, “Things will change—they always do.”
Refreshingly filled with love rather than sex, this coming-of-age novel examines the human cost of political repression.Pub Date: May 5, 2009
ISBN: 978-0-451-22681-5
Page Count: 368
Publisher: NAL/Berkley
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2009
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