Wood wrote three occult novels in the 80's (Amy Girl, 1987, etc.), but her current publisher is promoting her as the author of Twins (1977)—a telling comment on a sagging career that may lift a bit with this vivid if formulaic mix of occult and serial-killer chills. This time, Wood's usual Lady Luckless is poor little rich girl Eve Klein, whose millions can't buy her relief from her other inheritance: the clairvoyant powers that have recently frightened off her husband, Sam. Hoping to confront him, Eve drives from her Connecticut estate to Sam's new house in Raven Lake, New York, where she's instantly felled by a vision of a woman mutilated and dying—the handiwork of local sociopath Adam Fuller, M.D., whose eyes (``empty...dead...glassy. Like a doll's eyes'') give away his utter inability to feel for others, the product of a buried childhood trauma: Fuller kills in the barren hope of feeling pity for his victims. Eve's call to the cops snares homicide legend Dave Latovsky, who takes her to see psychiatrist Terrence Bunner, who happens to have Fuller as a patient. When, at a party, Bunner lets on to Fuller that Eve—whom he won't identify—saw the killer in her vision, the mad M.D. tracks a gory path to the psychic, torturing and shooting Bunner, then a local newsman and his wife, to get Eve's name and address. Meanwhile, at Bunner's funeral, Latovsky notes Fuller's Ken-doll eyes and fingers him for the killer but can't nab him before Fuller snatches Eve, hauling her to his childhood home. There, Eve flashes on the child abuse that turned Fuller into a maniac.... A lurid, loose-jointed tale whose frantic action and emotionalism nearly obscure the familiarity (Koontz, King, etc.) of Wood's themes.

Pub Date: July 26, 1993

ISBN: 0-688-12440-2

Page Count: 384

Publisher: Morrow/HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 15, 1993

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There are unforgettable beauties in this very sexy story.


Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 20, 2018

Kirkus Reviews Issue: April 1, 2018

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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