The audience for this long-winded but well-meaning memoir will consist of TV-biz nerds and Cagney & Lacey devotees.
A memoir for hardcore fans of Cagney & Lacey, penned by its former producer.
From 1982 to 1986, the acclaimed TV series was one of CBS’s prime-time anchors, garnering huge audiences, critical plaudits and numerous awards. Producer Rosenzweig was there from the beginning to the bitter end. The author adored the show; it was his baby, and he made certain that everything about it–the writing, acting, casting and costumes–met with his exacting standards. His love for the show was so enduring that more than 20 years after it was cancelled, he was compelled to share the entire experience in a lengthy memoir. Though the author’s heart is in the right place, the book is detailed to the point of tedium: Each battle with the network, financial negotiation, encounter with the actors and the writing staff is related in painful detail. The book is written in bite-size, episodic chapters, which makes the narrative uneven, and the prose is often clumsy–“Scoff and titter are not commonplace verbs in my vocabulary. They are the only terms I can conjure to portray the behavior to which I felt I was being exposed.” Readers won’t begrudge Rosenzweig for sharing his moment in the sun with the TV-watching public. His passion for the show and television in general is palpable, and this book might well inspire budding producers to follow their aspirations.
The audience for this long-winded but well-meaning memoir will consist of TV-biz nerds and Cagney & Lacey devotees.Pub Date: Dec. 26, 2006
ISBN: 978-0-595-41193-2
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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