by Barry Clifford with Paul Perry ‧ RELEASE DATE: Nov. 1, 2003
No matter: though his efforts to excavate the Adventure Galley are as tortured as Kidd's last days, Clifford still knows how...
An enjoyable re-creation of Captain William Kidd's last days, twined with pirate-hunter Clifford's (The Lost Fleet, 2002, etc.) efforts to locate the captain's last great privateering vessel.
Long a fascination of the author’s, Kidd left enough of a historical record that Clifford felt he might be able to locate “the real Treasure Island and find an archaeological treasure, the sunken flagship of one of the world's most notorious and misunderstood pirates.” His quest takes him to Ile Sainte-Marie, a current-day possession of Madagascar, in the Indian Ocean, an island considered by Clifford to be the only true pirate island, and where he expects to find the remains of the Adventure Galley. This was where Kidd had been dumped by his mutinous crew after an ill-fated privateering effort put together by a company of colonial and British notables, including the King of England, later much to his embarrassment. Clifford tells the woeful Kidd story well, though it is difficult to appreciate Kidd as “misunderstood”—his ship committed acts of piracy, and he hung for it—or that he had undertaken his ruinous privateering mission to improve his “social standing,” since he was already a man of considerable social and economic stature in New York City. But he was surely a rogue's rogue, and Clifford relates a number of shenanigans, including an episode in which he sent his men aloft to drop their drawers and moon a royal yacht. In alternating chapters, Clifford tells of his three expeditions in pursuit of the Adventure Galley and the endless struggles with Malagassy bureaucrats and a dreadful run-in with another dive team that opened up old rivalries. In the end, Clifford believes he’s located the ship, an excitement leavened by a handful of mumbo-jumbo about being guided by a dream. . . .
No matter: though his efforts to excavate the Adventure Galley are as tortured as Kidd's last days, Clifford still knows how to wring every drop of romance from his pirate-hunting.Pub Date: Nov. 1, 2003
ISBN: 0-06-018509-0
Page Count: 288
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2003
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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