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AMOK

A labor of love aimed at kindred souls who see the value in resurrecting yet another humanitarian nightmare.

Eisler reaches back to 1991 for a warts-and-all thriller pitting an American sniper sent to Indonesia against pretty much everyone else in sight.

The civil war the Falintil guerillas are waging in protest of East Timor’s occupation by Indonesian forces has raged for years when Mossberg, a shadowy CIA recruiter, asks Carl Williams to travel to Indonesia to put one more thumb on the scale. In some ways, Carl’s an obvious choice, an ex-Marine sniper with a long record of hot shots as an independent contractor in Afghanistan. In other ways, he’s a misfit from a family of misfits—especially his hard-case father, Roy, who’s up for parole after years in prison for abusing his ex-wife. Swallowing his doubts, Carl spends two days flying to Dili, where he’s been asked to establish contact with heroic healer Dr. Isobel Amaral, who’s just been released by the Indonesians who captured her. As luck would have it, she’s also been pressed by her ex-captors to establish contact with him, including horizontal contact, so that he can be tracked and neutralized. Using the sobriquet Dox (for unorthodox), Carl instantly takes against his handler, eminently dislikable team leader Joko Sutrisno, whose slippery loyalties offer a foretaste of the series of breakdowns to come. Taking the edge off his recent contemporary thrillers, Eisler dives deep into the conflicts of this very special place and produces an equally high body count whose political ambiguities generate significantly fewer thrills. The appended endnotes and annotated bibliography and filmography will go a long way toward helping readers decide whether they want to book this particular flight.

A labor of love aimed at kindred souls who see the value in resurrecting yet another humanitarian nightmare.

Pub Date: Dec. 6, 2022

ISBN: 978-1-5420-0565-4

Page Count: 380

Publisher: Thomas & Mercer

Review Posted Online: Sept. 13, 2022

Kirkus Reviews Issue: Oct. 1, 2022

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE INTRUDER

A grim yet gleefully gratifying tale of lost innocence and found family.

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A woman fears she made a fatal mistake by taking in a blood-soaked tween during a storm.

High winds and torrential rain are forecast for “The Middle of Nowhere, New Hampshire,” making Casey question the structural integrity of her ramshackle rental cabin. Still, she’s loath to seek shelter with her lecherous landlord or her paternalistic neighbor, so instead she just crosses her fingers, gathers some candles, and hopes for the best. Casey is cooking dinner when she notices a light in her shed. She grabs her gun and investigates, only to find a rail-thin girl hiding in the corner under a blanket. She’s clutching a knife with “Eleanor” written on the handle in black marker, and though her clothes are bloody, she appears uninjured. The weather is rapidly worsening, so before she can second-guess herself, former Boston-area teacher Casey invites the girl—whom she judges to be 12 or 13—inside to eat and get warm. A wary but starving Eleanor accepts in exchange for Casey promising not to call the police—a deal Casey comes to regret after the phones go down, the power goes out, and her hostile, sullen guest drops something that’s a big surprise. Meanwhile, in interspersed chapters labeled “Before,” middle-schooler Ella befriends fellow outcast Anton, who helps her endure life in Medford, Massachusetts, with her abusive, neglectful hoarder of a mother. As per her usual, McFadden lulls readers using a seemingly straightforward thriller setup before launching headlong into a series of progressively seismic (and increasingly bonkers) plot twists. The visceral first-person, present-tense narrative alternates perspectives, fostering tension and immediacy while establishing character and engendering empathy. Ella and Anton’s relationship particularly shines, its heartrending authenticity counterbalancing some of the story’s soapier turns.

A grim yet gleefully gratifying tale of lost innocence and found family.

Pub Date: Oct. 7, 2025

ISBN: 9781464260919

Page Count: 288

Publisher: Poisoned Pen

Review Posted Online: Aug. 2, 2025

Kirkus Reviews Issue: Sept. 1, 2025

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