photographed by Barry Feinstein with edited by Chris Murray ‧ RELEASE DATE: Oct. 6, 2020
A vibrant and worthy tribute to Harrison, though more context would be welcome.
An intimate selection of rare photos of George Harrison (1943-2001) at the launch of his post-Beatles career.
Harrison’s reputation as the “quiet Beatle” is exemplified by the iconic photo of him on the cover of his 1970 album, All Things Must Pass. He’s pensive, shod in Wellington boots as if he’d rather be gardening, and surrounded by lawn gnomes that almost seem to mock him. Feinstein, who shot that photo, was Harrison’s photographer of choice in the early 1970s, and this collection of his work, much of it previously unseen, nicely complicates Harrison’s legacy. He’s impishly smirking and smiling during the All Things shoot at his verdant manse in the English countryside, by turns meditative and playful during the Madison Square Garden shows recorded for The Concert for Bangladesh, and outright silly during a parody of the Last Supper shot for 1973’s Living in the Material World. (In one photo, he’s wearing a miter and sunglasses while popping open a bottle of champagne, enjoying a bit of the high life the shoot was meant to satirize.) It would have been nice to see more of this side of Harrison during his lifetime, though the images take nothing away from the personality that prevails here: contemplative and possessed of an inner calm that was innate, or born of his interest in transcendental meditation, or both. Unfortunately, insights from Harrison and Feinstein (who died in 2011) are absent; for a bespoke photo book, it’s surprisingly stingy about captioning in general. Harrison’s friend Donovan and gallerist Murray provide some background in their introductory essays, but both are brief and more hagiographic than archival. Harrison’s quietude, it seems, was contagious.
A vibrant and worthy tribute to Harrison, though more context would be welcome.Pub Date: Oct. 6, 2020
ISBN: 978-0-8478-6775-2
Page Count: 208
Publisher: Rizzoli
Review Posted Online: July 27, 2020
Kirkus Reviews Issue: Aug. 15, 2020
Share your opinion of this book
by Emmanuel Carrère ; translated by John Lambert ‧ RELEASE DATE: Aug. 2, 2022
Reality and imagination infuse a probing memoir.
A writer’s journey to find himself.
In January 2015, French novelist, journalist, screenwriter, and memoirist Carrère began a 10-day meditation retreat in the Morvan forest of central France. For 10 hours per day, he practiced Vipassana, “the commando training of meditation,” hoping for both self-awareness and material for a book. “I’m under cover,” he confesses, planning to rely on memory rather than break the center’s rule forbidding note taking. Long a practitioner of tai chi, the author saw yoga, too, as a means of “curtailing your ego, your greed, your thirst for competition and conquest, about educating your conscience to allow it unfiltered access to reality, to things as they are.” Harsh reality, however, ended his stay after four days: A friend had been killed in a brutal attack at the magazine Charlie Hebdo, and he was asked to speak at his funeral. Carrère’s vivid memoir, translated by Lambert—and, Carrère admits, partly fictionalized—covers four tumultuous years, weaving “seemingly disparate” experiences into an intimate chronicle punctuated by loss, desperation, and trauma. Besides reflecting on yoga, he reveals the recurring depression and “erratic, disconnected, unrelenting” thoughts that led to an unexpected diagnosis; his four-month hospitalization in a psychiatric ward, during which he received electroshock therapy; his motivation for, and process of, writing; a stay on the Greek island of Leros, where he taught writing to teenage refugees, whose fraught journeys and quiet dreams he portrays with warmth and compassion; his recollection of a tsunami in Sri Lanka, which he wrote about in Lives Other Than My Own; an intense love affair; and, at last, a revival of happiness. Carrère had planned to call his yoga book Exhaling, which could serve for this memoir as well: There is a sense of relief and release in his effort to make sense of his evolving self.
Reality and imagination infuse a probing memoir.Pub Date: Aug. 2, 2022
ISBN: 978-0-374-60494-3
Page Count: 336
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 9, 2022
Kirkus Reviews Issue: June 1, 2022
Share your opinion of this book
More by Emmanuel Carrère
BOOK REVIEW
by Emmanuel Carrère ; translated by John Lambert
BOOK REVIEW
by Emmanuel Carrère ; translated by John Lambert
BOOK REVIEW
by Emmanuel Carrère ; translated by John Lambert
by Lili Anolik ‧ RELEASE DATE: Nov. 12, 2024
A cheeky, gossipy dual biography.
A study of two writers uncomfortably entwined.
After Eve Babitz (1943-2021) died, her biographer Anolik came upon a letter from Babitz to Joan Didion (1934-2021) that startled her. Filled with “rage, despair, impatience, contempt,” it read like a “lovers’ quarrel.” “Eve was talking to Joan the way you talk to someone who’s burrowed deep under your skin, whose skin you’re trying to burrow deep under.” That surprise discovery suggested a “complicated alliance” between the two. In sometimes breathless prose, with sly asides to the “Reader,” Anolik draws on more than 100 interviews with Babitz and many other sources to follow both women’s lives, tumultuous loves, and aspirations before and after they met in Los Angeles in 1967, sometimes straining to prove their significance to one another. “Joan and Eve weren’t each other’s opposite selves so much as each other’s shadow selves,” she asserts. “Eve was what Joan both feared becoming and longed to become: an inspired amateur.” At the same time, “Joan was what Eve feared becoming and desired to become: a fierce professional.” Didion had just won acclaim for Slouching Towards Bethlehem when Babitz, newly arrived from New York, began socializing with her and her husband, John Gregory Dunne. The reticent Didion and the sensual, energetic Babitz could not have been more different, and Anolik clearly prefers Babitz. “I’m crazy for Eve,” she admits, “love her with a fan’s unreasoning abandon. Besides, Joan is somebody I naturally root against: I respect her work rather than like it; find her persona—part princess, part wet blanket—tough going.” Their relationship—hardly a friendship—fell apart in 1974 when Didion and Dunne were assigned to edit Babitz’s autobiographical novel, Eve’s Hollywood. Babitz, resentful of Didion’s attitude and intrusion, “fired” her, pursuing her writing career on her own. Didion soared to literary fame; not, alas, Babitz.
A cheeky, gossipy dual biography.Pub Date: Nov. 12, 2024
ISBN: 9781668065488
Page Count: 352
Publisher: Scribner
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: Aug. 1, 2024
Share your opinion of this book
More by Lili Anolik
BOOK REVIEW
by Lili Anolik
BOOK REVIEW
by Lili Anolik
More About This Book
PERSPECTIVES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.