A passionate, digressive, empathetic history of religious rebels and the mystery of faith.

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THE KINGDOM

Memoir, fiction, and history combine in a stirring portrayal of the world of the first Christians.

In the 1990s, French novelist, screenwriter, and film producer Carrère (Limonov, 2014, etc.) went through what he calls his “Christian period,” obsessed with matters of faith and prayer. Feeling that he was “touched by grace,” he recorded his thoughts in notebooks and read everything he could to nourish the fervor of his sudden conversion. Now, describing himself as “historical, agnostic,” Carrère draws upon those notebooks as well as diverse historical, biblical, and literary sources to inform his inquiry into the origins of Christianity. Among them are The Life of Jesus by 19th-century historian Ernest Renan, excommunicated because he sought “to give a natural explanation to events that are deemed supernatural”; works by contemporary historian and archaeologist Paul Veyne; historical novels such as Quo Vadis and Memoirs of Hadrian; and even Mel Gibson’s controversial movie The Passion. His most compelling sources are the Gospels of John, Mark, and Luke and the letters and epistles of the demanding, domineering Paul: “I’ve tried to reconstruct what Paul said: the typical discourse heard in the synagogues of Greece and Asia around A.D. 50 by people who converted to a belief that was not yet known as Christianity.” As Carrère portrays him, Paul was “a controversial rabbi,” an irritable, annoying man who could not abide “when people listened to other preachers than him.” Luke comes across as gentler, more temperate and sympathetic. The author examines the Gospels “with a fine-tooth comb,” looking for consistencies, differences, and evidence of their source in a collection of texts known as Q "that tells us how Jesus spoke.” When his own sources fail him, he is “free—and forced—to invent,” which he does, exuberantly. “Christianism was a living organism,” he writes, and it is this organism—protean, fragile, sensational—that Carrère richly re-creates.

A passionate, digressive, empathetic history of religious rebels and the mystery of faith.

Pub Date: March 7, 2017

ISBN: 978-0-374-18430-8

Page Count: 400

Publisher: Farrar, Straus and Giroux

Review Posted Online: Dec. 7, 2016

Kirkus Reviews Issue: Dec. 15, 2016

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Though gripping, even moving at times, the novel doesn’t do justice to the solemn history from which it is drawn.

CILKA'S JOURNEY

In this follow-up to the widely read The Tattooist of Auschwitz (2018), a young concentration camp survivor is sentenced to 15 years’ hard labor in a Russian gulag.

The novel begins with the liberation of Auschwitz by Soviet troops in 1945. In the camp, 16-year-old Cecilia "Cilka" Klein—one of the Jewish prisoners introduced in Tattooist—was forced to become the mistress of two Nazi commandants. The Russians accuse her of collaborating—they also think she might be a spy—and send her to the Vorkuta Gulag in Siberia. There, another nightmarish scenario unfolds: Cilka, now 18, and the other women in her hut are routinely raped at night by criminal-class prisoners with special “privileges”; by day, the near-starving women haul coal from the local mines in frigid weather. The narrative is intercut with Cilka’s grim memories of Auschwitz as well as her happier recollections of life with her parents and sister before the war. At Vorkuta, her lot improves when she starts work as a nurse trainee at the camp hospital under the supervision of a sympathetic woman doctor who tries to protect her. Cilka also begins to feel the stirrings of romantic love for Alexandr, a fellow prisoner. Though believing she is cursed, Cilka shows great courage and fortitude throughout: Indeed, her ability to endure trauma—as well her heroism in ministering to the sick and wounded—almost defies credulity. The novel is ostensibly based on a true story, but a central element in the book—Cilka’s sexual relationship with the SS officers—has been challenged by the Auschwitz Memorial Research Center and by the real Cilka’s stepson, who says it is false. As in Tattooist, the writing itself is workmanlike at best and often overwrought.

Though gripping, even moving at times, the novel doesn’t do justice to the solemn history from which it is drawn.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-26570-8

Page Count: 352

Publisher: St. Martin's

Review Posted Online: Oct. 28, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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