Next book

DAMAGES

ONE FAMILY'S LEGAL STRUGGLES IN THE WORLD OF MEDICINE

A richly detailed account of a medical malpractice suit that reveals how human-energy-intensive, expensive, and inefficient the medical liability system can be. Werth, a business and science writer (The Billion-Dollar Molecule, 1994), has written an up-close and personal narrative involving the lives of a large, ever-changing cast of characters. He met the Sabias, a working-class couple and their profoundly brain-damaged and physically handicapped son, Tony, through their lawyer, Michael Koskoff, a prominent Connecticut medical malpractice attorney. Tony had an extremely difficult birth and his twin brother was stillborn. Using in-depth interviews, medical records, court documents, and deposition transcripts, Werth has reconstructed dramatic scenes spanning the years from 1983, when the Sabias had their first date (she invited him to pull off I-95 for coffee after hearing him on her CB radio), to 1996, three years after the settlement of their lawsuit against Norwalk Hospital. Besides creating a vivid picture of the Sabias, Werth takes the reader inside the minds of the lawyers at Koskoff's firm, and even into the heart of Dr. Maryellen Humes, who delivered Tony. (Humes's battle with her medical malpractice insurance carrier is a story unto itself.) There are no real villains here, just a host of individuals in an imperfect system trying to protect their own interests. While the Sabias' marriage nearly founders, for six and a half years lawyers on both sides prepare for the trial that no one wants. Medical experts are consulted and depositions are taken, not to discover the truth about what happened to Tony but to construct a persuasive theory. After prolonged maneuvering and delayed trial dates, both sides at last agree to try mediation, a process that soon leads to resolution of the case. Never resolved is just how Tony's brain was damaged, but at least the Sabias received money to care for their helpless son. A gripping, page-turning story, and a revealing and troubling look at our medical liability system.

Pub Date: Feb. 1, 1998

ISBN: 0-684-80769-6

Page Count: 384

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1997

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview