Opens the door for further exploration of both man and music.
An appropriately jazzy picture-book biography of African-American musician Sonny Rollins.
It impresses from the endpapers, which mirror a vinyl LP in its paper sleeve and then playing on a turntable, to the liner notes about Rollins’ seminal album “The Bridge” in the back. Born and raised in Harlem, Rollins grew up at the perfect time for a jazz musician. Written in free verse that flirts with rhyme, the text moves through measures and beats like the up-and-down swings of jazz. The vibrant, digitally created illustrations set the mood as they go from deep blue and purple nighttime hues to bright daytime tones and back again. The birth of Rollins’ career is explored as he acquires and falls in love with his first horn and learns the nuances of jazz by sneaking into some of the greatest clubs in Harlem. By the time he’s 19 people have started to notice how great he truly is. He spends most of the 1950s playing two shows a day, every day. Ten years later he needs a sabbatical: “Sonny knows if he don’t jump, / He. Won’t. Last.” He practices on the Williamsburg Bridge, and the first album after his return is called “The Bridge.” Child readers may not have thought much about Rollins, but Wittenstein’s admiration for his subject establishes his importance. All the characters present as African-American.
Opens the door for further exploration of both man and music. (Picture book/biography. 3-9)Pub Date: May 21, 2019
ISBN: 978-1-58089-881-2
Page Count: 40
Publisher: Charlesbridge
Review Posted Online: March 2, 2019
Kirkus Reviews Issue: March 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Memorable art earns this biography a respectable place on the shelf.
George Washington Carver tended a secret garden of flowers before becoming known for his skill in agriculture.
The book opens in 1921 as Carver addresses the U.S. Congress, astounding them with dozens of uses for the peanut. The narration then takes readers back to Carver’s childhood to discover how he reached that career highlight. As a child, he loved flowers, but he was warned not to waste time on plants that couldn’t be eaten or sold, so he kept his colorful garden hidden in the woods. Shut out of schools because he was black, he studied nature independently and learned through experimentation. Eventually, he started caring for neighbors’ sick plants, becoming known as “the Plant Doctor.” At 12, he left the farm on which he was raised and attained a formal education, after which he taught students at the Tuskegee Institute and farmers with a mobile classroom mounted on a wagon. This journey through Carver’s childhood and accomplishments ends with Carver’s simple but memorable words, “Regard Nature. Revere Nature. Respect Nature.” The substantial text holds readers on each spread long enough to appreciate not only the subject matter of the painted illustrations, but Morrison’s artistic techniques—strong strokes and careful dots, artful combinations of textures and shapes—which create lush forest scenes and portraitlike human faces and forms. The childhood story feels more cohesive than the final pages, which list his adult accomplishments but lack the narrative thread.
Memorable art earns this biography a respectable place on the shelf. (timeline, bibliography, further reading) (Picture book/biography. 4-9)Pub Date: Jan. 14, 2020
ISBN: 978-0-06-243015-1
Page Count: 40
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: Oct. 8, 2019
Kirkus Reviews Issue: Dec. 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A supplemental rather than introductory book on the great artist.
Frida Kahlo’s strong affection for and identification with animals form the lens through which readers view her life and work in this picture-book biography.
Each two-page spread introduces one or more of her pets, comparing her characteristics to theirs and adding biographical details. Confusingly for young readers, the beginning pages reference pets she owned as an adult, yet the illustrations and events referred to come from earlier in her life. Bonito the parrot perches in a tree overlooking young Frida and her family in her childhood home and pops up again later, just before the first mention of Diego Rivera. Granizo, the fawn, another pet from her adult years, is pictured beside a young Frida and her father along with a description of “her life as a little girl.” The author’s note adds important details about Kahlo’s life and her significance as an artist, as well as recommending specific paintings that feature her beloved animals. Expressive acrylic paintings expertly evoke Kahlo’s style and color palette. While young animal lovers will identify with her attachment to her pets and may enjoy learning about the Aztec origins of her Xolo dogs and the meaning of turkeys in ancient Mexico, the book may be of most interest to those who already have an interest in Kahlo’s life.
A supplemental rather than introductory book on the great artist. (Picture book/biography. 4-8)Pub Date: Sept. 5, 2017
ISBN: 978-0-7358-4269-4
Page Count: 40
Publisher: NorthSouth
Review Posted Online: June 18, 2017
Kirkus Reviews Issue: July 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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