An engaging read with a plethora of captivating literary and historical details wrapped in a contemporary whodunit.


A historical novel re-creates life at the 16th-century court of Queen Elizabeth I via a 20th-century murder mystery involving a cache of valuable papers found in a tomb.

The year is 1579, and 16-year-old Anne Vavasour has successfully obtained her place at the court of Queen Elizabeth, “the Virgin Queen.” Anne has been raised for this. Schooled in accordance with the precepts of Roger Ascham, who tutored Elizabeth, Anne is both learned and self-confident, speaking and writing several languages and knowledgeable of “philosophy, history and literature.” She records her thoughts in her “commonplace book.” Fast-forward to 1992. Vicar Hamilton of St. Mary discovers a trove of papers, books, and scrolls while mucking around in the 300-year-old tombs beneath the ancient church that has been flooded by a stopped-up toilet. The vicar finds the papers (some of which appear to be a version of Macbeth penned by Shakespeare himself) in “the final resting place of” Lady Anne Vavasour, “benefactor of the old church and an ancestor of Mrs. Hamilton...the vicar’s late wife.” When the vicar is murdered, two amateur sleuths start hunting for clues—Stephen White, headmaster of St. George’s prep school and a student of history, the classics, and 16th-century English literature; and Margaret Hamilton, the vicar’s daughter, a BBC investigative reporter, and Stephen’s former fiancee. Casey (The Double Life of Laurence Oliphant, 2015) peppers his imaginative novel with tidbits on the development of writing in the Elizabethan era. Readers are treated to intriguing historical factoids: Sir Walter Raleigh’s twitch caused his uneven handwriting, resulting in typesetters making numerous typographical errors. Each of the central protagonists—the vicar, Margaret, and Stephen—is a well-drawn character. And the author’s prose is elegant, with evocative imagery: “She lowered herself smoothly into the chair across, touched her elbows onto the tabletop, and cradled her chin in her hands, leaning forward.” But readers may find themselves skimming over the excerpts of 16th-century poems and writings, which are arduous to pore through and slow the narrative momentum.

An engaging read with a plethora of captivating literary and historical details wrapped in a contemporary whodunit.

Pub Date: May 7, 2019

ISBN: 978-1-64293-131-0

Page Count: 272

Publisher: Post Hill Press

Review Posted Online: Dec. 2, 2018

Kirkus Reviews Issue: Feb. 1, 2019

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Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...


Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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A clever, romantic, sexy love story.

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The much-loved royal romance genre gets a fun and refreshing update in McQuiston’s debut.

Alex Claremont-Diaz, son of the American President Ellen Claremont, knows one thing for sure: He hates Henry, the British prince to whom he is always compared. He lives for their verbal sparring matches, but when one of their fights at a royal wedding goes a bit too far, they end up falling into a wedding cake and making tabloid headlines. An international scandal could ruin Alex’s mother’s chances for re-election, so it’s time for damage control. The plan? Alex and Henry must pretend to be best friends, giving the tabloids pictures of their bromance and neutralizing the threat to Ellen's presidency. But after a few photo ops with Henry, Alex starts to realize that the passionate anger he feels toward him might be a cover for regular old passion. There are, naturally, a million roadblocks between their first kiss and their happily-ever-after—how can American political royalty and actual British royalty ever be together? How can they navigate being open about their sexualities (Alex is bisexual; Henry is gay) in their very public and very scrutinized roles? Alex and Henry must decide if they’ll risk their futures, their families, and their careers to take a chance on happiness. Although the story’s premise might be a fantasy—it takes place in a world in which a divorced-mom Texan Democrat won the 2016 election—the emotions are all real. The love affair between Alex and Henry is intense and romantic, made all the more so by the inclusion of their poetic emails that manage to be both funny and steamy. McQuiston’s strength is in dialogue; her characters speak in hilarious rapid-fire bursts with plenty of “likes,” “ums,” creative punctuation, and pop-culture references, sounding like smarter, funnier versions of real people. Although Alex and Henry’s relationship is the heart of the story, their friends and family members are all rich, well-drawn characters, and their respective worlds feel both realistic and larger-than-life.

A clever, romantic, sexy love story.

Pub Date: June 4, 2019

ISBN: 978-1-250-31677-6

Page Count: 432

Publisher: St. Martin's Griffin

Review Posted Online: March 4, 2019

Kirkus Reviews Issue: March 15, 2019

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