A winsome story despite its flaws, this will leave readers hoping that Potter left more unpublished gems in the vault where...
Miss Catherine St. Quintin is a mischievous kitty leading a secret double life in this recently discovered Potter tale.
Though her elderly owner thinks that she is a “serious, well behaved young black cat,” Catherine—who harbors a secret passion for air-rifle hunting while dressed in a gentleman’s Norfolk jacket and matching boots—is anything but. The rebellious (if well-bred) pet prefers palling around with common cats to presiding over tea parties with other respectable felines. After convincing a fellow cat to impersonate her, she sets out on a poaching expedition that goes awry and teaches her the value of home. While the fairly lengthy story itself, with its minx of a heroine and cameos from other well-established characters, contains the same magic that made generations of readers fall in love with Potter’s delightful animal creations, Blake’s scribbly illustrations are totally incongruous with her genteel fictional world. His style works beautifully with Roald Dahl’s madcap tales, but Potter’s refined characters merit a softer and more realistic illustrative touch. Readers who grew up enchanted by the gorgeous drawings in the Tale of Peter the Rabbit may wish that Blake had passed on this particular opportunity. Also jarring is the book’s large trim; at around 8 inches by 10 inches, it is almost twice as big as Potter’s books published in her lifetime, famously designed for “little hands.” A CD of Helen Mirren reading the text is packaged with the book.
A winsome story despite its flaws, this will leave readers hoping that Potter left more unpublished gems in the vault where it was discovered. (Picture book. 4-8)Pub Date: Sept. 6, 2016
ISBN: 978-0-241-24944-4
Page Count: 72
Publisher: Warne
Review Posted Online: Sept. 8, 2016
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BOOK REVIEW
BOOK REVIEW
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...
Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.
First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)Pub Date: April 1, 2014
ISBN: 978-1-55453-704-4
Page Count: 32
Publisher: Kids Can
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
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BOOK REVIEW
BOOK REVIEW
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