by Beatriz Williams ‧ RELEASE DATE: June 30, 2020
An inventive if imperfect solution to a decades-old mystery.
What if Amelia Earhart had not only survived her last flight, but found true romance?
The book opens in 1947 with the story of Janey Everett, a war correspondent whose first-person frame narrative alternates with excerpts from her book, Aviatrix, about celebrity airwoman Irene Foster and her flight coach and eventual lover, stunt pilot Sam Mallory. Williams’ otherwise imaginative novel front-loads a lot of exposition, particularly about Janey’s past—the many reasons she’s in denial about the extent of her own vulnerability as she uses men to get information, first about the location of Mallory’s remains and later about the whereabouts of Irene, who now, a decade after her plane went missing in 1937, lives in obscurity in Hawaii. Janey's chronicle of star-crossed lovers Irene and Sam unfolds in similarly creaky fashion. They meet while surfing on a California beach. A stray kitten is in the mix, adopted by Sam. The cat, dubbed Sandy, serves as motif and talisman. After Sam teaches Irene to fly, Sandy stows away on their groundbreaking flight from California to Australia. Nineteen years later Janey discovers that Sandy, living with Irene, has defied all conventions of feline longevity. Although the book is expressly not intended as biographical fiction, many aspects of Earhart’s life are here, among them an alcoholic father and a New York publisher who acts as her promoter (based on George Putnam, but here, in a sly nod to Williams’ own publisher, surnamed Morrow). The action is significantly slowed by technical details about surfing and flying that are sometimes engrossing but often gratuitous. Only halfway through does tension ramp up as Irene and Sam contemplate a future together and confront a giant impediment: Sam’s wife, who wouldn’t hesitate to use his young daughter as a pawn. Plenty of twists ensue, but by now readers may have lost patience. Williams has a fine ear for period-appropriate dialogue, leading us to wonder why there isn’t more of it.
An inventive if imperfect solution to a decades-old mystery.Pub Date: June 30, 2020
ISBN: 978-0-06-283478-2
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: March 29, 2020
Kirkus Reviews Issue: April 15, 2020
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
by Mitch Albom ‧ RELEASE DATE: Oct. 7, 2025
Have tissues ready as you read this. A small package will do.
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New York Times Bestseller
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
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BOOK REVIEW
by Mitch Albom
BOOK REVIEW
by Mitch Albom
BOOK REVIEW
by Mitch Albom
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Thomas Schlesser ; translated by Hildegarde Serle ‧ RELEASE DATE: Aug. 26, 2025
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
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SEEN & HEARD
SEEN & HEARD
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