An inventive if imperfect solution to a decades-old mystery.
What if Amelia Earhart had not only survived her last flight, but found true romance?
The book opens in 1947 with the story of Janey Everett, a war correspondent whose first-person frame narrative alternates with excerpts from her book, Aviatrix, about celebrity airwoman Irene Foster and her flight coach and eventual lover, stunt pilot Sam Mallory. Williams’ otherwise imaginative novel front-loads a lot of exposition, particularly about Janey’s past—the many reasons she’s in denial about the extent of her own vulnerability as she uses men to get information, first about the location of Mallory’s remains and later about the whereabouts of Irene, who now, a decade after her plane went missing in 1937, lives in obscurity in Hawaii. Janey's chronicle of star-crossed lovers Irene and Sam unfolds in similarly creaky fashion. They meet while surfing on a California beach. A stray kitten is in the mix, adopted by Sam. The cat, dubbed Sandy, serves as motif and talisman. After Sam teaches Irene to fly, Sandy stows away on their groundbreaking flight from California to Australia. Nineteen years later Janey discovers that Sandy, living with Irene, has defied all conventions of feline longevity. Although the book is expressly not intended as biographical fiction, many aspects of Earhart’s life are here, among them an alcoholic father and a New York publisher who acts as her promoter (based on George Putnam, but here, in a sly nod to Williams’ own publisher, surnamed Morrow). The action is significantly slowed by technical details about surfing and flying that are sometimes engrossing but often gratuitous. Only halfway through does tension ramp up as Irene and Sam contemplate a future together and confront a giant impediment: Sam’s wife, who wouldn’t hesitate to use his young daughter as a pawn. Plenty of twists ensue, but by now readers may have lost patience. Williams has a fine ear for period-appropriate dialogue, leading us to wonder why there isn’t more of it.
An inventive if imperfect solution to a decades-old mystery.Pub Date: June 30, 2020
ISBN: 978-0-06-283478-2
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: March 29, 2020
Kirkus Reviews Issue: April 15, 2020
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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