A highly expressive, tender story about how “families are like pieces of art, they can be made from many materials.”

FINDING CHIKA

A LITTLE GIRL, AN EARTHQUAKE, AND THE MAKING OF A FAMILY

A young Haitian girl opens the door to unconditional love for an American couple.

When Albom (The Next Person You Meet in Heaven, 2018, etc.) became director of the Have Faith Haiti Orphanage in Port-au-Prince, he knew the children would make an impact on his life, but one toddler in particular, Chika, stole his heart. She was born just three days before the earthquake that destroyed Haiti in 2010. “It was tragedy on an island where tragedy is no stranger,” writes the author. When Chika arrived at the orphanage, she was only 3, but she quickly became a leader among the children. When she was diagnosed with an aggressive brain tumor, a condition the neurologist in Haiti said could not be treated there, Albom and his wife brought Chika into their Michigan home and sought out the best treatment they could find. When those treatments failed, they traveled for two years to other countries for experimental procedures, anything that would prolong Chika’s life. In addition to his own viewpoint, the author narrates the story by imagining what Chika was thinking and feeling. As Albom makes clear from the start, Chika did not survive her condition (she died in 2017 at age 7); his writing about this journey is unadorned, heartwarming, and rarely maudlin. He shares his joy at becoming a father to this vivacious child, his fears as he reintroduced Chika to her biological father, and the pain and sorrow he felt when she died. He marvels at the relationship Chika had with his wife and shares his amazement that Chika so readily connected with other adults. The takeaway from this simple, moving memoir is that love has no boundaries and should not be hindered by ethnicity, religion, education, or money.

A highly expressive, tender story about how “families are like pieces of art, they can be made from many materials.”

Pub Date: Nov. 5, 2019

ISBN: 978-0-06-295239-4

Page Count: 256

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 11, 2019

Kirkus Reviews Issue: Oct. 1, 2019

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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