Beach read meets maudlin historical fiction.
The stories of two women separated by time and circumstance but connected through DNA.
Mallory Dunne’s life is complicated. Her 13-year-old son, Sam, is on dialysis after eating a poisoned mushroom at summer camp when he was 10. Her mom died a couple of years before that when hiking on Machu Picchu, leaving Mallory a mysterious and beautiful cobra-shaped bracelet that Mallory wears every day. Oh, and Sam is secretly the son of Monk Adams, a famous musician with whom Mallory was madly in love throughout high school and college. Mallory left Monk the day before the two planned to travel the country together, never telling him that he’s a father. But her sister, Paige, who believes Monk could be a kidney match for Sam, is pressuring her to tell Monk the truth. When Paige convinces Mallory to go to the fictional Winthrop Island in Long Island Sound where Monk is staying—he’s there planning his wedding to vapid Instagram influencer Lennox Lassiter—Sam’s parents reunite, and Mallory must come to terms with her past. The sisters also recently found out that their mother was adopted, so Paige goes on a genealogical journey to find out where they came from. Mallory’s story alternates with that of the sisters’ biological grandmother, Hannah, who lives in post–World War II Egypt and whose story is slowly revealed. While there are certainly sweet, sexy, and even poignant moments, particularly in Mallory and Monk’s early years, the book tries to pack in way too much. Hannah’s entire plot, while clearly well researched, feels underdeveloped, and Williams would’ve been better served using that time to add more depth to Mallory and Monk’s relationship.
Beach read meets maudlin historical fiction.Pub Date: June 25, 2024
ISBN: 9780593724224
Page Count: 368
Publisher: Ballantine
Review Posted Online: April 20, 2024
Kirkus Reviews Issue: May 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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