A well-researched exploration of love and redemption against the backdrop of post–World War II New England.
Shortly after World War II, a young woman falls for the prized son of a wealthy family and finds herself caught in a web of international espionage.
The book opens in 1954 as Emilia Winthrop, a professor at Wellesley College, receives a phone call from her aunt informing her that the Peabodys are returning to Winthrop Island to restore their summer home. Summerly hasn’t been used since just after the war, and the return of this prominent family raises many questions. The book then shifts to 1946, back when Emilia still lived on Winthrop Island. Though the island bears her family's name, the Winthrops sold their land generations earlier, and they have since acted as hired help for the wealthy vacationers who use the place as a summer playground. Emilia reconnects with Shep Peabody, her best childhood friend, who has returned from the war a hero. As they get to know each other all over again, Emilia wonders if she and Shep could be more than just friends, though she worries their family backgrounds are simply too different. Meanwhile, Shep’s cosmopolitan and mysterious Aunt Olive has just arrived on the island, bringing along her high fashion and tales of Europe during the war. While Emilia revels in Olive's worldliness and sophistication, others on the island begin to grow suspicious of the long-lost aunt and her unusual behaviors. As the accusations against Olive grow increasingly serious, Emilia is forced to defend her new friend against allegations of disloyalty to the U.S., even whispers of treason and spying. As tensions continue to build, Emilia wonders whether Olive's presence on Winthrop might destroy her budding relationship with Shep, or worse. When the story shifts back to 1954, an older Emilia must confront the memories of that fateful summer and ask herself if she can claim the life she's always wanted. With a narrative that starts in the middle and jumps frequently between timelines, Williams’ novel requires patience as readers get the lay of the land. Once the plotlines become clearer, suspense builds, and the novel becomes entirely engaging. Full of evocative, whip-sharp dialogue, the book shines especially in its description of fictional Winthrop Island, a New England vacation enclave something like Nantucket but with idiosyncrasies and traditions all its own. As the characters struggle to regain their footing after the war, there are moments when excessive description and lengthy backstory get in the way of the plot. Even so, the author’s deft exploration of many thought-provoking issues, from social class to personal responsibility and regret, make this one a winner.
A well-researched exploration of love and redemption against the backdrop of post–World War II New England.Pub Date: June 27, 2023
ISBN: 9780063020849
Page Count: 368
Publisher: Morrow/HarperCollins
Review Posted Online: April 11, 2023
Kirkus Reviews Issue: May 1, 2023
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
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