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OUR WOMAN IN MOSCOW

A cumbersome plot weighs down this would-be spy thriller.

Twin sisters find themselves caught up in a Russian spy ring at the height of the Cold War.

In 1952, Ruth Macallister, a former fashion model and the power behind the throne at a Manhattan modeling agency, receives a postcard from her twin sister, Iris Digby—sent from Moscow. When FBI man and former Yale fullback Sumner Fox comes sniffing around, Ruth at first withholds this information, but later the two will team up, pretending to be newlyweds, to go to Moscow with the intent of extracting Iris from the clutches of the Stalin regime. Or at least that’s Ruth’s intent—Sumner’s mixed motives are a source of more confusion than intrigue. The 1952 sections, narrated by Ruth, alternate with Iris’ story, set in 1948 Great Britain, detailing how her marriage is foundering. She always knew her husband, Sasha Digby, was a spy for the Russians, a mole embedded in the U.S. diplomatic corps. Lately, however, his drunkenness appears to have rendered him all but useless to his handlers. Iris met Sasha during the sisters’ prewar Roman holiday in 1940 and, infatuated, married him in haste. Sasha’s frequent all-night benders have definitely debloomed the rose. The 1948 narrative slows down the present action without really adding much crucial insight into how, or why, Sasha and Iris end up defecting, with their children, to Moscow or even why, after his poor performance, Moscow would want him. Making occasional appearances in the 1952 timeline is Lyudmila Ivanova, a tough-as-nails KGB operative and a single mother due to her informing on her husband, who was sent to the gulag. He’s not the only family member she’s turned in. Lyudmila has been assigned to monitor expat defectors like Sasha. Iris is the most fully developed and sympathetic character here. Ruth is another iteration of the wisecracking dame who has appeared in so many Williams novels, and Lyudmila seems patterned after Greta Garbo in Ninotchka, except that this doctrinaire minion of Stalin wouldn’t be caught dead in a rom-com.

A cumbersome plot weighs down this would-be spy thriller.

Pub Date: June 1, 2021

ISBN: 978-0-06-302078-8

Page Count: 448

Publisher: Morrow/HarperCollins

Review Posted Online: Jan. 26, 2021

Kirkus Reviews Issue: Feb. 15, 2021

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THE SECRET OF SECRETS

A standout in the series.

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  • New York Times Bestseller

The sixth adventure of Harvard symbology professor Robert Langdon explores the mysteries of human consciousness, the demonic projects of the CIA, and the city of Prague.

“Ladies and gentlemen...we are about to experience a sea change in our understanding of how the brain works, the nature of consciousness, and in fact…the very nature of reality itself.” But first—Langdon’s in love! Brown’s devoted readers first met brilliant noetic scientist Katherine Solomon in The Lost Symbol (2009); she’s back as a serious girlfriend, engaging the committed bachelor in a way not seen before. The book opens with the pair in a luxurious suite at the Four Seasons in Prague. It’s the night after Katherine has delivered the lecture quoted above, setting the theme for the novel, which features a plethora of real-life cases and anomalies that seem to support the notion that human consciousness is not localized inside the human skull. Brown’s talent for assembling research is also evident in this novel’s alter ego as a guidebook to Prague, whose history and attractions are described in great and glowing detail. Whether you appreciate or skim past the innumerable info dumps on these and other topics (Jewish folklore fans—the Golem is in the house!), it goes without saying that concision is not a goal in the Dan Brown editing process. Speaking of editing, the nearly 700-page book is dedicated to Brown’s editor, who seems to appear as a character—to put it in the italicized form used for Brownian insight, Jason Kaufman must be Jonas Faukman! A major subplot involves the theft of Katherine’s manuscript from the secure servers of Penguin Random House; the delightful Faukman continues to spout witty wisecracks even when blindfolded and hogtied. There’s no shortage of action, derring-do, explosions, high-tech torture machines, attempted and successful murders, and opportunities for split-second, last-minute escapes; good thing Langdon, this aging symbology wonk, never misses swimming his morning laps. Readers who are not already dyed-in-the-wool Langdonites may find themselves echoing the prof’s own conclusion regarding the credibility of all this paranormal hoo-ha: At some point, skepticism itself becomes irrational.

A standout in the series.

Pub Date: Sept. 9, 2025

ISBN: 9780385546898

Page Count: 688

Publisher: Doubleday

Review Posted Online: Sept. 9, 2025

Kirkus Reviews Issue: Nov. 1, 2025

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I, MEDUSA

An engaging, imaginative narrative hampered by its lack of subtlety.

The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.

In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.

An engaging, imaginative narrative hampered by its lack of subtlety.

Pub Date: Nov. 18, 2025

ISBN: 9780593733769

Page Count: 336

Publisher: Random House

Review Posted Online: Aug. 16, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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