With more than 2.7 million American children experiencing the incarceration of a parent, this book is a necessary one.
The subtitle of this picture book says it all.
A racially and ethnically diverse sampling of children exemplify the grief and discomfort that come with losing a parent to incarceration. Lacey’s scared with one of her moms in jail; Rashid’s mom is in jail for the second time; both Juana’s mami and her papi are in prison, so she and her siblings are spread out among foster homes. Yen has hard questions only her mother can answer, so she mails them to her. Rafael must fend off intrusive questions from the other kids. In Birtha’s direct, sympathetic text and Kastelic’s muted pencil-and-watercolor illustrations, these children and more evince loneliness, anger, shame, and fear. Birtha gives them sympathetic adults, such as a coach who won’t let Jermaine’s teammates mock him and the teacher who listens to Atian, who’s been acting out. Tips on talking to children with incarcerated parents and further resources are included in the backmatter; these, combined with the direct, role-modeling text, make this book as valuable for adult readers as it is for children. The purposeful inclusion of a white child and an Asian-American child helps to dispel stereotypes, while the inclusion of African-American and Latino children reflects U.S. prison demographics. Class disparities are only hinted at; the children are not obviously well-to-do but all seem to inhabit reasonably comfortable settings.
With more than 2.7 million American children experiencing the incarceration of a parent, this book is a necessary one. (Picture book. 4-8)Pub Date: March 7, 2017
ISBN: 978-0-8075-1275-3
Page Count: 37
Publisher: Whitman
Review Posted Online: Feb. 3, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
A friendship tale with solid messaging and plenty of fun sounds to share.
In this latest in the series, Little Blue Truck, driven by pal Toad, is challenged to a countryside race by Racer Red, a sleek, low-slung vehicle.
Blue agrees, and the race is on. Although the two start off “hood to hood / and wheel to wheel,” they switch positions often as they speed their way over dusty country roads. Blue’s farm friends follow along to share in the excitement and shout out encouragement; adult readers will have fun voicing the various animal sounds. Short rhyming verses on each page and several strategic page turns add drama to the narrative, but soft, mottled effects in the otherwise colorful illustrations keep the competition from becoming too intense. Racer Red crosses the finish line first, but Blue is a gracious loser, happy to have worked hard. That’s a new concept for Racer Red, who’s laser-focused on victory but takes Blue’s words (“win or lose, it’s fun to try!”) to heart—a revelation that may lead to worthwhile storytime discussions. When Blue’s farm animal friends hop into the truck for the ride home, Racer Red tags along and learns a second lesson, one about speed. “Fast is fun, / and slow is too, / as long as you’re / with friends.”
A friendship tale with solid messaging and plenty of fun sounds to share. (Picture book. 4-7)Pub Date: March 25, 2025
ISBN: 9780063387843
Page Count: 32
Publisher: Clarion/HarperCollins
Review Posted Online: Jan. 18, 2025
Kirkus Reviews Issue: Feb. 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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