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FALL TO PIECES

Patchwork pieces of crime, intrigue, and romance fall into place perfectly.

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This Philadelphia police procedural serves as a backdrop for a romance between two broken but highly attractive detectives.

Detective Alexandra “Lexi” Danvers “was hollow inside...in a way no amount of sex or whiskey seemed able to fill.” That doesn’t stop the feline-eyed beauty from trying. Because of self-destructive behavior that includes getting served too many drinks and hooking up regularly at “cop bars,” her reputation on the force is that she’s unfit for duty in spite of her good work record. Her train-wreck conduct began three years ago when her husband, Robert, a police officer, chose suicide after a failed investigation into the kidnap and murder of 8-year-old Donald Palmer. Arthur Book’s confession to that crime was thrown out due to allegations of police coercion. Book walked free and successfully sued the city. Now, Xavier Knight, Lexi’s sexy new partner (“He’s got a great ass”), has a hidden agenda. Police Capt. Jack Barrett brought Knight from the Baltimore police force to Philadelphia to evaluate Lexi’s fitness. Knight also has a backstory that led to a damaged life. As soon as the two detectives are partnered, another 8-year-old boy is kidnapped and murdered, and Book starts tormenting Lexi. In addition to looking for the killer, shielding Lexi from Book, and keeping his mission to evaluate his partner a secret, Knight finds himself falling in love with her, as she does with him. As good as Flade’s storytelling is, the murders and suicides (yes, plural) are upsetting to read about, but they are not presented with over-the-top gore. And the flirtations that lead to something deeper balance the darkness of the crimes. In addition, the police investigation feels authentic. For example, Knight notes that the kidnapper/killer hunts in neighborhood parks but not in the crowded parts of the city because the snatch may be fast and anonymous there, “but the escape is near impossible.” There’s often welcome humor in the patter between the two detectives, as when Knight says: “For crying out loud, Danvers, don’t talk with your mouth full. And use a fork.”

Patchwork pieces of crime, intrigue, and romance fall into place perfectly.

Pub Date: Nov. 30, 2021

ISBN: N/A

Page Count: 253

Publisher: Tirgearr Publishing

Review Posted Online: March 30, 2022

Kirkus Reviews Issue: May 15, 2022

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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NEVER FLINCH

Even when King is not at his best, he’s still good.

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Two killers are on the loose. Can they be stopped?

In this ambitious mystery, the prolific and popular King tells the story of a serial murderer who pledges, in a note to Buckeye City police, to kill “13 innocents and 1 guilty,” in order, we eventually learn, to avenge the death of a man who was framed and convicted for possession of child pornography and then killed in prison. At the same time, the author weaves in the efforts of another would-be murderer, a member of a violently abortion-opposing church who has been stalking a popular feminist author and women’s rights activist on a publicity tour. To tell these twin tales of murders done and intended, King summons some familiar characters, including private investigator Holly Gibney, whom readers may recall from previous novels. Gibney is enlisted to help Buckeye City police detective Izzy Jaynes try to identify and stop the serial killer, who has been murdering random unlucky citizens with chilling efficiency. She’s also been hired as a bodyguard for author and activist Kate McKay and her young assistant. The author succeeds in grabbing the reader’s interest and holding it throughout this page-turning tale of terror, which reads like a big-screen thriller. The action is well paced, the settings are vividly drawn, and King’s choice to focus on the real and deadly dangers of extremist thought is admirable. But the book is hamstrung by cliched characters, hackneyed dialogue (both spoken and internal), and motives that feel both convoluted and overly simplistic. King shines brightest when he gets to the heart of our darkest fears and desires, but here the dangers seem a bit cerebral. In his warning letter to the police, the serial killer wonders if his cryptic rationale to murder will make sense to others, concluding, “It does to me, and that is enough.” Is it enough? In another writer’s work, it might not be, but in King’s skilled hands, it probably is.

Even when King is not at his best, he’s still good.

Pub Date: May 27, 2025

ISBN: 9781668089330

Page Count: 448

Publisher: Scribner

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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