Patchwork pieces of crime, intrigue, and romance fall into place perfectly.
This Philadelphia police procedural serves as a backdrop for a romance between two broken but highly attractive detectives.
Detective Alexandra “Lexi” Danvers “was hollow inside...in a way no amount of sex or whiskey seemed able to fill.” That doesn’t stop the feline-eyed beauty from trying. Because of self-destructive behavior that includes getting served too many drinks and hooking up regularly at “cop bars,” her reputation on the force is that she’s unfit for duty in spite of her good work record. Her train-wreck conduct began three years ago when her husband, Robert, a police officer, chose suicide after a failed investigation into the kidnap and murder of 8-year-old Donald Palmer. Arthur Book’s confession to that crime was thrown out due to allegations of police coercion. Book walked free and successfully sued the city. Now, Xavier Knight, Lexi’s sexy new partner (“He’s got a great ass”), has a hidden agenda. Police Capt. Jack Barrett brought Knight from the Baltimore police force to Philadelphia to evaluate Lexi’s fitness. Knight also has a backstory that led to a damaged life. As soon as the two detectives are partnered, another 8-year-old boy is kidnapped and murdered, and Book starts tormenting Lexi. In addition to looking for the killer, shielding Lexi from Book, and keeping his mission to evaluate his partner a secret, Knight finds himself falling in love with her, as she does with him. As good as Flade’s storytelling is, the murders and suicides (yes, plural) are upsetting to read about, but they are not presented with over-the-top gore. And the flirtations that lead to something deeper balance the darkness of the crimes. In addition, the police investigation feels authentic. For example, Knight notes that the kidnapper/killer hunts in neighborhood parks but not in the crowded parts of the city because the snatch may be fast and anonymous there, “but the escape is near impossible.” There’s often welcome humor in the patter between the two detectives, as when Knight says: “For crying out loud, Danvers, don’t talk with your mouth full. And use a fork.”
Patchwork pieces of crime, intrigue, and romance fall into place perfectly.Pub Date: Nov. 30, 2021
ISBN: N/A
Page Count: 253
Publisher: Tirgearr Publishing
Review Posted Online: March 30, 2022
Kirkus Reviews Issue: May 15, 2022
Review Program: Kirkus Indie
BOOK REVIEW
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Fresh and upbeat, though not without flaws.
An earnest grad student and a faculty member with a bit of a jerkish reputation concoct a fake dating scheme in this nerdy, STEM-filled contemporary romance.
Olive Smith and professor Adam Carlsen first met in the bathroom of Adam's lab. Olive wore expired contact lenses, reducing her eyes to temporary tears, while Adam just needed to dispose of a solution. It's a memory that only one of them has held onto. Now, nearly three years later, Olive is fully committed to her research in pancreatic cancer at Stanford University's biology department. As a faculty member, Adam's reputation precedes him, since he's made many students cry or drop their programs entirely with his bluntness. When Olive needs her best friend, Anh, to think she's dating someone so Anh will feel more comfortable getting involved with Olive's barely-an-ex, Jeremy, she impulsively kisses Adam, who happens to be standing there when Anh walks by. But rumors start to spread, and the one-time kiss morphs into a fake relationship, especially as Adam sees there's a benefit for him. The university is withholding funds for Adam's research out of fear that he'll leave for a better position elsewhere. If he puts down more roots by getting involved with someone, his research funds could be released at the next budgeting meeting in about a month's time. After setting a few ground rules, Adam and Olive agree that come the end of September, they'll part ways, having gotten what they need from their arrangement. Hazelwood has a keen understanding of romance tropes and puts them to good use—in addition to fake dating, Olive and Adam are an opposites-attract pairing with their sunny and grumpy personalities—but there are a couple of weaknesses in this debut novel. Hazelwood manages to sidestep a lot of the complicated power dynamics of a student-faculty romance by putting Olive and Adam in different departments, but the impetus for their fake relationship has much higher stakes for Adam. Olive does reap the benefits of dating a faculty member, but in the end, she's still the one seemingly punished or taunted by her colleagues; readers may have been hoping for a more subversive twist. For a first novel, there's plenty of shine here, with clear signs that Hazelwood feels completely comfortable with happily-ever-afters.
Fresh and upbeat, though not without flaws.Pub Date: Sept. 14, 2021
ISBN: 978-0-593-33682-3
Page Count: 384
Publisher: Berkley
Review Posted Online: July 27, 2021
Kirkus Reviews Issue: Aug. 15, 2021
PERSPECTIVES
BOOK TO SCREEN
BOOK TO SCREEN
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