Mothers and daughters reunite, and dogs seal the deal, in a feel-good charmer.
When Ariel Siskin hears about the fire at the Bright Side animal shelter in Kansas, where she grew up, she knows she has to go home to help her mother, whom she’s neither seen nor spoken to for six years.
Mandelbaum’s debut novel—following Bad Kansas (2017), a book of short stories—is a warm-hearted tale centered around the animal sanctuary “where there’s love enough for everyone.” Love for the assorted dogs, mules, pigs, and other beasts certainly abounds there, but for everyone else it’s been a struggle. Mona Siskin founded the shelter with an inheritance from her father, but her passion for the place came at the cost of her marriage to Daniel, a poet, who left one day without saying goodbye. Their daughter, Ariel—“the weird, quiet girl whose mom hoarded animals”—had a hard time at school, befriended only by Sydney Fuller, another social misfit whom Ariel later unintentionally betrayed. Assisted by loyal, upright Gideon, Mona’s steadfast helper at the sanctuary and Ariel's first love, Ariel eventually left, too, to attend college, against her lonely mother’s wishes. Ariel didn’t say goodbye, either. Mandelbaum spends the greater part of her engaging but not completely resolved novel filling in this backstory and its cast of characters, including Dex, Ariel’s affable boyfriend; Joy, Gideon’s impossible-to-dislike girlfriend; Joy’s wealthy, kindly mother, Coreen; and the Fuller brothers, whose Trump sign provokes the act of theft that kick-starts those scant events taking place in the novel’s brief "present." Beyond the theft and arson (and the Trump angle), there are few sharp edges in this tale of misplaced feelings and misunderstood souls that is chiefly characterized by home, irresistible animals, and the forgiving of old rifts.
Mothers and daughters reunite, and dogs seal the deal, in a feel-good charmer.Pub Date: Aug. 4, 2020
ISBN: 978-1-98211-298-1
Page Count: 336
Publisher: Simon & Schuster
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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