Sound advice for prospective college students and their families.
A look at the complex process of college admissions.
Drawing on 13 years of experience as an admissions officer, most spent at Dartmouth, Sabky offers practical, down-to-earth advice about choosing a college, navigating the application process, and deciding which college to attend. Like Frank Bruni’s Where You Go Is Not Who You’ll Be, this book emphasizes that an Ivy League school may not be the best choice for everyone, nor does rejection stamp a student as unworthy. College admission, writes Sabky, “is a business at nearly every institution,” with decisions “based on the whole of each candidacy, the depth of the pool, and the desires of the institution.” Highly selective schools actively recruit as many students as possible in order to keep their admissions rate low, with the result that many outstanding students are rejected. Nevertheless, to help students be as competitive as possible, Sabky gives tips on “self-marketing” in a process that “has become one of the most complicated hurdles of the American education system.” That process often begins with a campus visit (or online visit for students unable to travel), during which the author advises that students range off the prescribed path to see parts of the campus that really interest them. For the application—which she typically would spend about 12 minutes reading—she has thoughts on the transcript, recommendations, extracurricular activities, test scores, alumni interviews, and especially the importance of authenticity in the personal statement. That essay, she writes, should “share a story, a vision, a thought. The purpose of an essay was never to win an award.” Sabky regrets that the admission process turns students “into laser-focused robots for a chance at the college dream” and glorifies the Ivy Leagues. “There’s no need to turn into an Ivy clinger,” she writes reassuringly, “when there are thousands of wonderful colleges and universities in the United States.”
Sound advice for prospective college students and their families.Pub Date: Aug. 3, 2021
ISBN: 978-1-250-61903-7
Page Count: 240
Publisher: Henry Holt
Review Posted Online: May 26, 2021
Kirkus Reviews Issue: June 15, 2021
The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.
The former iCarly star reflects on her difficult childhood.
In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.
The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.Pub Date: Aug. 9, 2022
ISBN: 978-1-982185-82-4
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: May 30, 2022
Kirkus Reviews Issue: July 1, 2022
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
An intriguing but uneven family memoir and travelogue.
An author’s trip to Venice takes a distinctly Borgesian turn.
In November 2020, soccer club Venizia F.C. offered Nigerian American author Madu a writing residency as part of its plan “to turn the team into a global entity of fashion, culture, and sports.” Flying to Venice for the fellowship, he felt guilty about leaving his immigrant parents, who were shocked to learn upon moving to the U.S. years earlier that their Nigerian teaching certifications were invalid, forcing his father to work as a stocking clerk at Rite Aid to support the family. Madu’s experiences in Venice are incidental to what is primarily a story about his family, especially his strained relationship with his father, who was disappointed with many of his son’s choices. Unfortunately, the author’s seeming disinterest in Venice renders much of the narrative colorless. He says the trip across the Ponte della Libertà bridge was “magical,” but nothing he describes—the “endless water on both sides,” the nearby seagulls—is particularly remarkable. Little in the text conveys a sense of place or the unique character of his surroundings. Madu is at his best when he focuses on family dynamics and his observations that, in the largely deserted city, “I was one of the few Black people around.” He cites Borges, giving special note to the author’s “The House of Asterion,” in which the minotaur “explains his situation as a creature and as a creature within the labyrinth” of multiple mirrors. This notion leads to the Borgesian turn in the book’s second half, when, in an extended sequence, Madu imagines himself transformed into a minotaur, with “the head of a bull” and his body “larger, thicker, powerful but also cumbersome.” It’s an engaging passage, although stylistically out of keeping with much of what has come before.
An intriguing but uneven family memoir and travelogue.Pub Date: April 2, 2024
ISBN: 9781953368669
Page Count: 144
Publisher: Belt Publishing
Review Posted Online: Nov. 17, 2023
Kirkus Reviews Issue: Dec. 15, 2023
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