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THE DIABOLICAL BONES

Ellis takes gothic over the top in the second fictional adventure of her real-life characters.

Skeletal remains attract the sympathy and scrutiny of a not-yet-famous trio of Victorian-era sisters.

The faithful housekeeper of the Brontë sisters—Charlotte, Emily, and Anne—disturbs a quiet afternoon in December 1845 with dreadful news. Clifton Bradshaw, the owner of Top Withens Hall, has uncovered a bundle of child’s bones in the chimney niche in his late wife’s rooms, shut up since her death 13 years earlier. The sisters, daughters of a parson, are concerned with the soul of the child and the reason the bones were hidden away. Emily is particularly impatient because their last case as detectors, in which they styled themselves Bell Brothers and Company, was just a search for a missing cow. The three women and their brother, Branwell, brave the winter snows and the wrath of Bradshaw, who’s violent, abusive, and more often than not drunk since the death of his wife. Although he refuses to surrender the bones for Christian burial, his son smuggles them out to the sisters, whose careful notes about them help a female friend with medical training speculate that the deceased was a malnourished child laborer. Moved by the pitiful tale, the sisters uncover a sensational mix of old and new religions, a ghostly woman in black, a local visionary who knows dark magic, and orphans terrified of a monstrous figure who steals children—and then starts stalking the Brontës themselves.

Ellis takes gothic over the top in the second fictional adventure of her real-life characters.

Pub Date: Nov. 10, 2020

ISBN: 978-0-593099-15-5

Page Count: 336

Publisher: Berkley

Review Posted Online: Aug. 17, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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MY NAME IS EMILIA DEL VALLE

An action-packed, brightly detailed historical novel not much hampered by its thinly characterized central figure.

A free-spirited woman forges a career as a writer and journalist, risking scandal and war zones to follow her heart.

Allende’s latest opens in San Francisco in 1873, introducing Emilia at age 7, the illegitimate daughter of Molly Walsh, who, as a novice nun, was seduced and abandoned by wealthy Chilean Gonzalo Andrés del Valle. Molly goes on to a successful marriage, Emilia grows up with a loving stepfather, and at 17 she begins writing, then publishing, sensational dime novels under the pseudonym Brandon J. Price. By 23, she’s a journalist with a column in The Daily Examiner, though still forced to hide her gender behind her pen name. Rule breaking is in her nature, and while she accepts, for now, lower pay than men, she decides on a trip to New York to take a lover and learns to control her own contraception. Later, finally writing under her own name, she’s commissioned to go to Chile and cover its civil war from a human angle, accompanied by colleague and friend Eric Whelan, whose focus is the military aspect. Chilean revolutionary politics make for less sprightly reading, but Emilia’s individual encounters with members of high and low society lend atmosphere. These include the president, a great aunt, and eventually her father—now alone, regretful, and mortally ill. Although he disapproves of working women, the two share a “desire to see the world and experience everything intensely,” and when he offers to recognize Emilia as his legitimate child, she accepts. Now the story gathers pace, with Emilia—always and predictably the rebel—witnessing the horrors of battle, discovering that she and Eric are in love, and getting arrested. Not quite plausibly, she instigates a further sequence of impulsive moves before the story is permitted to conclude.

An action-packed, brightly detailed historical novel not much hampered by its thinly characterized central figure.

Pub Date: May 6, 2025

ISBN: 9780593975091

Page Count: 304

Publisher: Ballantine

Review Posted Online: April 19, 2025

Kirkus Reviews Issue: May 15, 2025

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CIRCLING THE SUN

Ernest Hemingway, who met Markham on safari two years before her Atlantic crossing, tagged her as “a high-grade bitch” but...

A full-throttle dive into the psyche and romantic attachments of Beryl Markham—whose 1936 solo flight across the Atlantic in a two-seater prop plane (carrying emergency fuel in the extra seat) transfixed the world.

As conceived in this second historical by novelist McLain (The Paris Wife, 2011, etc.), Markham—nee Beryl Clutterbuck—is the neglected daughter of an impecunious racehorse trainer who fails to make a go at farming in British East Africa and a feckless, squeamish mother who bolts back to England with their older son. Set on her own two feet early, she is barely schooled but precociously brave and wired for physical challenges—a trait honed by her childhood companion Kibii (a lifelong friend and son of a local chief). In the Mau forest—“before Kenya was Kenya”—she finds a “heaven fitted exactly to me.” Keeping poised around large mammals (a leopard and a lion also figure significantly) is in her blood and later gains her credibility at the racecourse in Nairobi, where she becomes the youngest trainer ever licensed. Statuesque, blonde, and carrying an air of self-sufficiency—she marries, disastrously, at 16 but is granted a separation to train Lord Delamere’s bloodstock—Beryl turns heads among the cheerfully doped and dissolute Muthaiga Club set (“I don’t know what it is about Africa, but champagne is absolutely compulsory here”), charms not one but two heirs to the British crown at Baroness Karen Blixen’s soiree, and sets her cap on Blixen’s lover, Denys Fitch Hatton. She’ll have him, too, and much enjoyment derives from guessing how that script, and other intrigues, will play out in McLain’s retelling. Fittingly, McLain has Markham tell her story from an altitude of 1,800 feet: “I’m meant to do this,” she begins, “stitch my name on the sky.” Popularly regarded as “a kind of Circe” (to quote Isak Dinesen biographer Judith Thurman), the young woman McLain explores owns her mistakes (at least privately) and is more boxed in by class, gender assumptions, and self-doubt than her reputation as aviatrix, big game hunter, and femme fatale suggests.

Ernest Hemingway, who met Markham on safari two years before her Atlantic crossing, tagged her as “a high-grade bitch” but proclaimed her 1942 memoir West with the Night “bloody wonderful.” Readers might even say the same of McLain’s sparkling prose and sympathetic reimagining.

Pub Date: July 28, 2015

ISBN: 978-0-345-53418-7

Page Count: 384

Publisher: Ballantine

Review Posted Online: May 6, 2015

Kirkus Reviews Issue: June 1, 2015

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