Fans of the Fifty Shades series will undoubtedly find much to savor in this ribald, risqué, and captivating remembrance.
Holistic sexuality educator and coach LaVey shares a life rich with experimentation and eroticism.
Early on in this debut memoir, the author writes dramatically of boarding a bus in New Hampshire—the beginning of years of nomadic wanderings in such locales as Wisconsin (where she pursued a Wiccan-Shamanistic apprenticeship), Pennsylvania, and Central America. She also writes of the happiness and complexity of raising a child as a single parent. However, the memoir centers on LaVey’s sexual awakening, which started when she began a career as an exotic dancer. She entertainingly depicts these early days, graphically describing the pain of a first waxing, wobbling on 6-inch heels “like a giraffe on stilts,” and mastering the art of making money at a strip club. “Stripping walked me down the aisle to kink,” she writes, and her chronicle smoothly transforms into an account of her participation in BDSM subculture. Along the way, she vividly describes sexual experiences, a botched romance, and successfully overcoming drug addiction. She also weaves in the incremental evolution of her dominatrix persona, “Evil Kitty,” as well as varied ruminations about the nature of religion and the intricate dance of sexual dominance and submission. LaVey’s prose has an unfettered honesty as she proudly displays the joys, scars, triumphs, disappointments, and hard-won lessons of her lifestyle. The tone of the narrative is educational and never judgmental or arrogant, allowing readers to understand the author on several different levels—as the daughter of a demanding mother, as a devoted parent, as a dedicated sex worker, and as a formidable, respected person.
Fans of the Fifty Shades series will undoubtedly find much to savor in this ribald, risqué, and captivating remembrance.Pub Date: Nov. 13, 2018
ISBN: 978-1-63152-435-6
Page Count: 296
Publisher: She Writes Press
Review Posted Online: Aug. 21, 2018
Kirkus Reviews Issue: Sept. 15, 2018
Review Program: Kirkus Indie
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
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