Worth a try for series fans, although, since Aaronovitch provides no catch-up help, newcomers are best advised to begin at...

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BROKEN HOMES

Another entry in the Rivers of London urban fantasy series (Whispers Under Ground, 2012, etc.).

In a city with a thriving supernatural community, including river gods, dryads and fairies, narrator and PC Peter Grant works for the London Metropolitan Police. He’s also an apprentice wizard and he, along with PC Lesley May and DCI Thomas Nightingale, the last registered wizard in England, comprises the Folly, the Met’s supernatural department—they’re known as Isaacs after their founder, Sir Isaac Newton. The case begins with a murder in Sussex that may have magical associations, followed by a suicide that may have been magically coerced. And when a valuable stolen book of magic is recovered, the thief turns up burned to a crisp—from the inside. The book, it seems, was owned by expatriate German architect Erik Stromberg, whose masterpiece, an eccentric tower block called the Skygarden Estate, in Elephant and Castle, clearly is magically inspired—but is the development itself some sort of magical artifact? Are these seemingly unassociated elements related to the Faceless Man, a powerful rogue wizard with whom the Folly has crossed swords in the past? To find out what’s really going on in Skygarden, Peter and Lesley must go undercover. All this is even more shapeless than the summary indicates—a phenomenon mystery fans will be familiar with—and it’s only in the last 50 pages or so that the plot coheres and the title’s significance becomes apparent. Still, you’ve got to like a book where the city itself is the main character—literally. And there are plenty of surprises for alert readers.

Worth a try for series fans, although, since Aaronovitch provides no catch-up help, newcomers are best advised to begin at the beginning.

Pub Date: Feb. 4, 2014

ISBN: 978-0-7564-0960-9

Page Count: 336

Publisher: DAW/Berkley

Review Posted Online: Dec. 15, 2013

Kirkus Reviews Issue: Jan. 1, 2014

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A kicky, kinky, wildly inventive 21st-century mashup with franker language and a higher body count than Hamlet.

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SHAKESPEARE FOR SQUIRRELS

Manic parodist Moore, fresh off a season in 1947 San Francisco (Noir, 2018), returns with a rare gift for Shakespeare fans who think A Midsummer Night’s Dream would be perfect if only it were a little more madcap.

Cast adrift by pirates together with his apprentice, halfwit giant Drool, and Jeff, his barely less intelligent monkey, Pocket of Dog Snogging upon Ouze, jester to the late King Lear, washes ashore in Shakespeare’s Athens, where Cobweb, a squirrel by day and fairy by night, takes him under her wing and other parts. Soon after he encounters Robin Goodfellow (the Puck), jester to shadow king Oberon, and Nick Bottom and the other clueless mechanicals rehearsing Pyramus and Thisby in a nearby forest before they present it in celebration of the wedding of Theseus, Duke of Athens, to Hippolyta, the captive Amazon queen who’s captured his heart, Pocket (The Serpent of Venice, 2014, etc.) finds Robin fatally shot by an arrow. Suspected briefly of the murder himself, he’s commissioned, first by Hippolyta, then by the unwitting Theseus, to identify the Puck’s killer. Oh, and Egeus, the Duke’s steward, wants him to find and execute Lysander, who’s run off with Egeus’ daughter, Hermia, instead of marrying Helena, who’s in love with Demetrius. As English majors can attest, a remarkable amount of this madness can already be found in Shakespeare’s play. Moore’s contribution is to amp up the couplings, bawdy language, violence, and metatextual analogies between the royals, the fairies, the mechanicals, his own interloping hero, and any number of other plays by the Bard.

A kicky, kinky, wildly inventive 21st-century mashup with franker language and a higher body count than Hamlet.

Pub Date: May 12, 2020

ISBN: 978-0-06-243402-9

Page Count: 288

Publisher: Morrow/HarperCollins

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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