Solid if unspectacular—Bova makes his point without belaboring it—and a huge improvement over his flabby previous outing.
Present-day, science-based political thriller from the veteran author and editor (Leviathans of Jupiter, 2011, etc.).
Assistant astronomy professor Jake Ross still grieves for his wife Louise, killed a year ago in an auto accident. He rubs along putting together science experiments for a new Mars rover, and hopes for tenure one day—until his mentor, wise old Lev Cardwell, persuades Jake to meet rich, ambitious Frank Tomlinson, whose goal is to oust incumbent senator Christopher Leeds in the upcoming election. Tomlinson needs an edge and offers Jake a job as his science advisor—if he can come up with an idea. At Cardwell's suggestion he recommends that Tomlinson back MHD, magnetohydrodynamics, a revolutionary, efficient and clean method of generating electricity. Jake becomes doubly motivated when it turns out that Tomlinson's assistant, attractive Amy Wexler, will sleep with him whenever he comes up with a good idea. The university's MHD researchers, irascible Tim Younger and easygoing Bob Rogers, are overjoyed at the prospect of money and support; curiously, however, the project's head, Professor Arlan Sinclair, refuses to support Jake and avoids meeting Tomlinson. Could there be sinister reasons why Sinclair refuses to push his own pet project? There could indeed, and when Sinclair and his wife turn up dead Jake finds himself in an ugly, dangerous battle for which he is totally unprepared. Bova deals with the issues and the politics with his usual workmanlike competence, and he explains the concepts behind the (real) technology clearly—though he tends to skate over the practical difficulties involved. His one real failure is candidate Tomlinson's motivation: Why would a wealthy playboy type think that, in an age when science is routinely derided or ignored, science could boost him into a Senate seat?
Solid if unspectacular—Bova makes his point without belaboring it—and a huge improvement over his flabby previous outing.Pub Date: Jan. 3, 2012
ISBN: 978-0-7653-1786-5
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 20, 2011
Kirkus Reviews Issue: Dec. 1, 2011
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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