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AND SO I TOOK THEIR EYE

A thoughtful collection that situates engaging characters in an array of distinctive settings.

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A collection of interconnected literary short stories from debut author Davies.

The first entry, “A Gringo Died Today,” kicks things off in a village in Guatemala. As the title suggests, the dead body of a foreigner is discovered on a beach; the story of how that dead body came to be there is one that lands a local in some serious trouble. In “The Eagle of the Desert,” an Englishman named Archie labors at an unpleasant yoga retreat in a Mexican desert run by a disagreeable American who calls himself Eagle. (Archie was present when the events of “A Gringo Died Today” occurred; he felt he needed to “get over something awful that happened on the beaches of Guatemala.”) “Teatime at the Cricket” takes the reader to England, where trouble ensues at a usually low-key Sunday cricket match. In “Whose Story?,” someone from that cricket match has a story to tell of an adventure in Greece—but the storyteller isn’t entirely truthful about his own actions. In “True Colours,” a businessman named Zach with an eye on becoming the new mayor of Oakland, California, is quite pleased with a new flag he is flying outside his home. Throughout the collection, the stories introduce knowable, nuanced characters. They come to life on the page, from Eagle, with his “long greying hair tied into a bun,” to Zach, who feels his flags say “more about him than words ever could.” In “Teatime,” Davies excels not only at describing the people involved but also at providing details about the sport at the heart of the story. (“Everyone says cricket is so slow but when you’re scoring it’s the fastest thing in the world.”) Occasionally, the outcomes prove predictable; for instance, it is clear from the get-go that the protagonist of “Whose Story?” will probably not amount to much of a hero. Nevertheless, the ways in which the stories intertwine add an additional level of intrigue to an already compelling cast of characters.

A thoughtful collection that situates engaging characters in an array of distinctive settings.

Pub Date: July 17, 2025

ISBN: 9781914199967

Page Count: 170

Publisher: Bridge House Publishing

Review Posted Online: July 1, 2025

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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THE MAN WHO LIVED UNDERGROUND

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.

Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Pub Date: April 20, 2021

ISBN: 978-1-59853-676-8

Page Count: 240

Publisher: Library of America

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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