by Ben Elton ‧ RELEASE DATE: July 1, 2003
A mixture of comedy with tragedy that fails to produce real black comedy: another decent but desperately uneven effort from...
A member of Parliament takes on the bugaboo of drug decriminalization.
Well-known British comic author Elton has already taken on reality TV (Dead Famous, Feb. 2003), Tarantino-esque filmmakers (Popcorn, 1997), and the perils of pregnancy (Inconceivable, 2000). Now, he takes up the drug trade and attendant criminality, in pretty much all their aspects. His method is to weave together a number of different plotlines dependent upon a light web of coincidence and interrelations (something like the film Traffic), the most central of these involving a heretofore-overlooked Parliament member, Peter Paget, who proposes a sweeping decriminalization bill that’s met at first with expected jeers and consternation but gradually gathers some real steam. If only Paget—the picture of two-kids-and-a-wife decency—wasn’t shagging his comely assistant. Elsewhere, there’s the crusading anticorruption police inspector, the Scottish girl sucked into addiction and prostitution on the streets of London, a drug mule in Bangkok, and, providing most of the needed comic relief, a running monologue given at various recovery meetings by a hugely successful Robbie Williams–esque pop star about his crimes and misadventures as he ingests truly heroic amounts of cocaine and alcohol. Paget provides Elton’s thesis: the illegality of drugs mixed with the near-universal taking of drugs makes the entire county criminal: “We are all either criminals ourselves or associates of criminals or relatives of criminals.” The first third or so here is rather inspired, mixing Elton’s quick-witted banter with a high-minded yet concretely realistic assault on drug hysteria. Elton, however, like his pop star who whines about this fact, will not be breaking the US market with his effort. No matter how cheeky the whole, the last half of the book, in which Paget et al. collapse in a welter of bad decision-making and the ravages of addiction, is not as successful in its pathos as the earlier pages were in their humor.
A mixture of comedy with tragedy that fails to produce real black comedy: another decent but desperately uneven effort from Elton.Pub Date: July 1, 2003
ISBN: 0-593-04939-X
Page Count: 352
Publisher: Bantam UK/Trafalgar
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2003
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by J.A. Jance ‧ RELEASE DATE: April 2, 2019
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
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A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
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by David Baldacci ‧ RELEASE DATE: Dec. 2, 1997
Irritatingly trite woman-in-periler from lawyer-turned-novelist Baldacci. Moving away from the White House and the white-shoe Washington law firms of his previous bestsellers (Absolute Power, 1996; Total Control, 1997), Baldacci comes up with LuAnn Tyler, a spunky, impossibly beautiful, white-trash truck stop waitress with a no-good husband and a terminally cute infant daughter in tow. Some months after the birth of Lisa, LuAnn gets a phone call summoning her to a make-shift office in an unrented storefront of the local shopping mall. There, she gets a Faustian offer from a Mr. Jackson, a monomaniacal, cross-dressing manipulator who apparently knows the winning numbers in the national lottery before the numbers are drawn. It seems that LuAnn fits the media profile of what a lottery winner should be—poor, undereducated but proud—and if she's willing to buy the right ticket at the right time and transfer most of her winnings to Jackson, she'll be able to retire in luxury. Jackson fails to inform her, however, that if she refuses his offer, he'll have her killed. Before that can happen, as luck would have it, LuAnn barely escapes death when one of husband Duane's drug deals goes bad. She hops on a first-class Amtrak sleeper to Manhattan with a hired executioner in pursuit. But executioner Charlie, one of Jackson's paid handlers, can't help but hear wedding bells when he sees LuAnn cooing with her daughter. Alas, a winning $100- million lottery drawing complicates things. Jackson spirits LuAnn and Lisa away to Sweden, with Charlie in pursuit. Never fear. Not only will LuAnn escape a series of increasingly violent predicaments, but she'll also outwit Jackson, pay an enormous tax bill to the IRS, and have enough left over to honeymoon in Switzerland. Too preposterous to work as feminine wish-fulfillment, too formulaic to be suspenseful. (Book-of-the-Month Club main selection)
Pub Date: Dec. 2, 1997
ISBN: 0-446-52259-7
Page Count: 528
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1997
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