Uplifting and inspiring of further research.
A bilingual love poem of admiration and respect for the millions of monarch butterflies that journey south to Mexico every year.
From a chrysalis on the title page, Señorita Mariposa invites readers to follow the monarch butterfly as it embarks on a journey spanning thousands of miles, “Over mountains capped with snow… / To the deserts down below.” In the same manner, the monarch butterfly exiting the chrysalis at the end of the book then invites readers to flip back to the beginning and restart the journey. Almada Rivero’s warm and friendly illustrations showcase the various people and animals the monarch encounters in its 3,000-mile journey, including a couple of brown-skinned children who welcome Señorita Mariposa to Mexico as the text reads, “Can’t believe how far you’ve come.” Gundersheimer’s recounting of the lepidoptera’s journey is told in a bilingual poem, English set in a serif type and Spanish set in sans-serif. Like the butterfly traveling south and north, the languages switch prominence, displaying in the larger font the principal—and rhyming—language in each spread. Although at times distracting, this technique is a valiant attempt to give equal importance to each language. Backmatter includes facts on the round trip the butterflies undertake, the “super generation” that makes the trek south, and a call to action to protect the monarchs as they slowly lose their habitats.
Uplifting and inspiring of further research. (Picture book. 3-6)Pub Date: Aug. 6, 2019
ISBN: 978-1-5247-4070-2
Page Count: 32
Publisher: Nancy Paulsen Books
Review Posted Online: May 25, 2019
Kirkus Reviews Issue: June 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
The runaway cookie in this Mexican bakery is a soft, brown, stubby-tailed piglet as impertinently bold and smug in his continual escape as his Gingerbread Boy cousin. “Chase me! Chase me down the street. But this is one piggy you won’t get to eat! / ¡Córrele, córrele! ¡Y Córrele más! ¡Soy el cochinito que jamás comerás!” This bouncy dual refrain extends the familiar cumulative text, rendered in both English and Spanish, as piggy manages to elude Marta the baker, Lorenzo the mechanic, Mamá Nita the beautician, Joaquín the telephone repairman and a host of other neighborhood adults—until he is outsmarted by Rosa, a little girl on her way to school, who foxily “helps him” cross the street. Safely tucked into her backpack, piggy is both a welcome surprise and an excuse for Rosa’s lateness to class. Deep opaque acrylic paintings of a colorful barrio and its residents in pursuit add the right amount of cultural flavor to this vivid Latino retelling. Recipe appended. (Picture book. 3-6)
Pub Date: Nov. 30, 2010
ISBN: 978-1-55885-586-1
Page Count: 32
Publisher: Piñata Books/Arte Público
Review Posted Online: Sept. 24, 2010
Kirkus Reviews Issue: Oct. 15, 2010
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