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NOBODY LIKES A GOBLIN

Endearing and entertaining: what’s not to like—or love? (Picture book. 4-8)

A small goblin finds courage when he defends a friend.

Bug-eyed, green Goblin with his toothy underbite lights torches, feeds rats, and plans to hang out in his dungeon for the day with his Very Best Friend, Skeleton, who has a crown. But the ominous sound of “boots on stone” announces adventurers—light-skinned and medieval-garbed with a full-figured warrior woman in the lead—who come roaring into Goblin’s home to steal all the books, treasure, and worst of all, Skeleton. Shaken, Goblin sets out “into the wide world” to get his friend back, but his troll neighbor cautions, “Nobody likes a goblin.” A farmer with a pitchfork and a gang of elves prove quite serious in their antipathy. Themes of loyalty, courage, and friendship nicely complement the lively sense of danger. Diagonal lines invest each page with motion; full-color art with entertaining details—look for the small dragons on the rocks and for the kidnapped goose and girl on the adventurers’ cart—pulls readers in to the story. When a company of goblins asks our hero, still wearing Skeleton’s crown from before, “Are you the Goblin King?” he thinks a moment before responding “Yes….yes, I am.” Young readers will find themselves cheering Goblin on—he may not be lovely, but his sense of friendship and his loyalty are convincing and appealing.

Endearing and entertaining: what’s not to like—or love? (Picture book. 4-8)

Pub Date: June 7, 2016

ISBN: 978-1-62672-081-7

Page Count: 40

Publisher: First Second

Review Posted Online: March 29, 2016

Kirkus Reviews Issue: April 15, 2016

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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FRANKENKITTY

A top-grade creepy/funny addition to the spooky-picture-book canon.

Is a cute kitty built in a castle’s laboratory responsible for the bad things that start happening?

“Here is a tale to chill the blood and thrill the soul—a tale of spooky paws and eerie claws.” The disembodied talking skull who narrates this story is alluding to Frankenkitty, who was engineered out of multiple cats, with visible stitches to show for it. As the house ghouls look on, Frankenkitty’s inventor laments, “I’ve created a monster!” Sure enough, bad things start happening: The mummy begins to unravel. Kitchen mice terrorize the cook. Certainly, Frankenkitty must be to blame. But after the butler, who resembles Frankenstein’s Monster, tosses Frankenkitty outside into the snow, where he looks forlorn and adorable, the skull has second thoughts: “Wait! Did we get it wrong?” It’s up to readers to make the call. Powell-Tuck goes all in with her spoof of old-time horror tropes, although kids needn’t know who Boris Karloff is to be tickled. For the book’s every scare (a severed foot and hand, their bones visible), there’s a wink (in a bit of metafictive fun, the skull urges readers to opt for a story about “unicorns, beasts, or bears”). Grey, a glutton for detail, leans on menacing reds and sickly greens to capture the frights, which include, in a line for the spooky-story ages, “walls as gray as old underpants.” Human characters vary in skin tone.

A top-grade creepy/funny addition to the spooky-picture-book canon. (Picture book. 4-8)

Pub Date: July 7, 2026

ISBN: 9781664300972

Page Count: 32

Publisher: Tiger Tales

Review Posted Online: March 23, 2026

Kirkus Reviews Issue: April 15, 2026

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