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MARKETING FOR CEOs

DEATH OR GLORY IN THE DIGITAL AGE

A cobweb-clearing manifesto on how marketing must adapt or die.

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A comprehensive guidebook to a massive, ongoing revolution in the world of marketing and advertising.

Marketing analyst and popular corporate speaker Legg has at last written a book, and readers who are already familiar with his speaking style will know something of what to expect: punchy delivery, cut-to-the-chase presentation of facts, and plenty of innovative thinking. He writes as if his readership consists entirely of CEOs, but his book will also appeal to general readers who are interested in how social media and “Big Data” are changing the business landscape. The author breaks his subject down by providing quick, basic looks at various business goals, such as delivering value to customers while establishing long-term relationships with them; making a profit; and dominating a market (or, as he puts it, “crush[ing] your competitors’ hopes and dreams beneath the heels of your Converse sneakers….You know, the fun stuff”). He reassures readers who’ve already attended business school that the fundamentals that they learned—product, placement, price, promotion, and so on—are all still sound. But he also notes that business leaders need to adapt to the world of constant connectivity and data sharing and that they aren’t adapting often enough or fast enough. Legg also points out—brutally but undoubtedly accurately—that many businesses that he’s studied are suffering because they accepted mediocre performance from their marketing division. Indeed, his book has a tough but effective chapter on whether “it’s time to hand your CMO [chief marketing officer] a cardboard box and have security ready for an escort to the front doors.” The author uses shotgun blasts of straightforward, often funny prose to present a What They Don’t Teach You at Harvard Business School for the age of Twitter. For example, at one point, he insists that a ground-up reinvention of the entire concept of marketing isn’t necessary; that is, there’s no need to “toss out the baby with the bathwater”—but one must also acknowledge that the former infant now “wears skinny jeans, has multiple lip piercings and tattoos, carries a phone that costs more than your first car, and spends half his waking hours staring at some sort of backlit screen.” (The book also includes one chapter by CEO Jon Cook of the marketing and advertising agency VML.)

A cobweb-clearing manifesto on how marketing must adapt or die.

Pub Date: April 11, 2016

ISBN: 978-0-692-66929-7

Page Count: 148

Publisher: CreateSpace

Review Posted Online: Jan. 12, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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