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A SPY AMONG FRIENDS

KIM PHILBY AND THE GREAT BETRAYAL

Gripping and as well-crafted as an episode of Smiley’s People, full of cynical inevitability, secrets, lashings of whiskey...

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2014


  • New York Times Bestseller

A tale of espionage, alcoholism, bad manners and the chivalrous code of spies—the real world of James Bond, that is, as played out by clerks and not superheroes.

Now pretty well forgotten, Kim Philby (1912-1988) was once a byname for the sort of man who would betray his country for a song. The British intelligence agent was not alone, of course; as practiced true-espionage writer Macintyre (Double Cross: The True Story of the D-Day Spies, 2012, etc.) notes, more than 200 American intelligence agents became Soviet agents during World War II—“Moscow had spies in the treasury, the State Department, the nuclear Manhattan Project, and the OSS”—and the Brits did their best to keep up on their end. Philby may have been an unlikely prospect, given his upper-crust leanings, but a couple of then-fatal flaws involving his sexual orientation and still-fatal addiction to alcohol, to say nothing of his political convictions, put him in Stalin’s camp. Macintyre begins near the end, with a boozy Philby being confronted by a friend in intelligence, fellow MI6 officer Nicholas Elliott, whom he had betrayed; but rather than take Philby to prison or put a bullet in him, by the old-fashioned code, he was essentially allowed to flee to Moscow. Writing in his afterword, John Le Carré recalls asking Elliott, with whom he worked in MI6, about Philby’s deceptions—“it quickly became clear that he wanted to draw me in, to make me marvel…to make me share his awe and frustration at the enormity of what had been done to him.” For all Philby’s charm (“that intoxicating, beguiling, and occasionally lethal English quality”), modern readers will still find it difficult to imagine a world of gentlemanly spy-versus-spy games all these hysterical years later.

Gripping and as well-crafted as an episode of Smiley’s People, full of cynical inevitability, secrets, lashings of whiskey and corpses.

Pub Date: July 29, 2014

ISBN: 978-0-8041-3663-1

Page Count: 384

Publisher: Crown

Review Posted Online: May 28, 2014

Kirkus Reviews Issue: June 1, 2014

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MANDATE OF HEAVEN

A NEW GENERATION OF ENTREPRENEURS, DISSIDENTS, BOHEMIANS, AND TECHNOCRATS LAYS CLAIM TO CHINA'S FUTURE

The latest in a splendid series by Schell (Discos and Democracy, 1988, etc.), extending over 20 years and tracking momentous changes in the world's most populous country. Beginning almost where he left off in his last book, Schell describes the events at Tiananmen Square and their aftermath. The square has long been both a symbol of the power of successive regimes as well as a traditional site at which dissent was expressed. The demonstrations, which extended far beyond a rarefied group of students, journalists, and intellectuals, soon began to involve the urban proletariat, the very vanguard of the revolution. Deng Xiaoping, having crushed their dissent with great brutality, concluded that only economic development would save the regime. Deng is the latest in the line of Chinese reformers who have believed that China could borrow the technology and managerial methods of the West without affecting Chinese culture and values. For the moment, says Schell, the middle class has struck a Faustian bargain with the Communist Party, forgoing political confrontation while economic liberalization continues. ``By 1991,'' Schell notes, ``almost nobody in China was taking Marxism seriously.'' But the country presents the paradox of almost wild capitalist enthusiasm (with strange elements, including the success of a $1,500 limited edition Mao watch with diamond- and sapphire-studded gold casing) and a Stalinist security apparatus that presides over labor camps with 1020 million prisoners. China is now, Schell writes, irrevocably part of the world economic system, but he does not venture to predict the outcome. Schell doesn't give as immediate a sense of life in China as do Kristof and WuDunn in China Wakes (p. 826), nor has he travelled as widely, but he brings great analytical power and understanding to one of the most important political stories of our time. (Author tour)

Pub Date: Sept. 1, 1994

ISBN: 0-671-70132-0

Page Count: 464

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1994

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FLESH AND STONE

THE BODY AND THE CITY IN WESTERN CIVILIZATION

An expansive history of Western civilization's evolving conception of the human body and that concept's influence on the erection of cities. Sennett (Sociology/New York Univ.; The Conscience of the Eye, 1991, etc.) argues that the homogenization of contemporary culture is aided and abetted by the failure of modern architecture and urban planning to accommodate the physical and sensory needs of the human body. This is more than mere postmodern sterility to Sennett. He sees this failing as an extension of the ``enduring problem'' of Western civilization: the inability or refusal of those with the power to build cities to honor ``the dignity of the body and diversity of human bodies.'' From Pericles' Athens to Robert Moses's New York, Sennett incorporates discussions of sexuality, religion, politics, medicine, and economics into a historical grand tour of great cities whose buildings, streets, and public squares elevated the status of the ruling elite and diminished that of common citizens. Along the way, we find out how it felt to witness an execution by guillotine in revolutionary Paris, attend a Roman banquet, and observe a trial in ancient Greece, where courtrooms reflected the demands of a participatory democracy—three-foot-high walls and a jury box big enough for the minimum 201 jurors. Though Sennett ably surveys the ideological landscapes of the ancient, medieval, and modern worlds, these quotidian revelations are what enliven the book. By exposing the principles of individualism and personal comfort that form the most fundamental assumptions of 20th-century consumer culture, Sennett reminds modern readers that they trade a great deal for comfort—namely their engagement with one another. In so doing, he debunks the myth that the evolution of cities has been one of unfettered progress, or that progress is synonymous with improvement. Passionate, exhaustively researched, and original. (Photos and maps, not seen)

Pub Date: Sept. 1, 1994

ISBN: 0-393-03684-7

Page Count: 448

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1994

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