Light, quirky, and funny.
Alchemy stages a comeback in this fast-moving modern-day thriller.
In Philadelphia, a construction supervisor inspects a large underground space beneath a worksite and finds a mid-18th-century laboratory filled with beakers, oil lamps, hand cranks—and his two dead co-workers sitting in chairs. Then he’s attacked and killed by a man looking for an engraving of a kite and a key. Thus begins this oddball thriller whose characters seek a philosopher’s stone that will turn lead into gold. Mezrich loads the text with historical references to the likes of Paul Revere, Ben Franklin, Mozart, and Catharine Ray, one of Ben’s actual lady friends. He also offers new twists on the stories of the Liberty Bell and Franklin's famous experiment with a kite and a key. Present-day protagonists Nick Patterson and Hailey Gordon are in Boston on the run from the law, suspects in a string of art thefts including the big 1990 heist at the Gardner Museum. Nick is a nonviolent ex-con who gets his gunshot wound stitched up in the basement of a seedy dentist and later survives an encounter with the humongous Tyrannosaurus rex skeleton in the Boston Museum of Science. Hailey faked her high-school records to gain admission to MIT and excelled there as a grad student in applied math while she paid her bills by counting cards. In the opposite corner is the evil La Nadie—Spanish for The Nobody—who looks so ordinary that no one notices her until it’s too late. She works for the Family, which has ambitions both dastardly and grandiose. The frequent twists in this zany and well-researched story will keep the reader entertained and informed. If you’ve ever lain awake wondering about the Statue of Liberty’s innards, or how many rivets Gustave Eiffel used in the construction of his eponymous iron tower in Paris, or how a particular Mozart composition looks on an oscilloscope, Mezrich puts those and many more questions to rest. The ending hints at a sequel, which would be most welcome.
Light, quirky, and funny.Pub Date: Oct. 8, 2024
ISBN: 9781538754672
Page Count: 384
Publisher: Grand Central Publishing
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
One small step, no giant leaps.
Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.
Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”
One small step, no giant leaps.Pub Date: Nov. 14, 2017
ISBN: 978-0-553-44812-2
Page Count: 320
Publisher: Crown
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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