An intelligent, understanding, critical, if ultimately admiring study of Elizabeth II and her age, by a Whitbread Prizewinning British historian (Hugh Dalton, not reviewed). When Elizabeth was born, in 1926, there was little expectation that she would be monarch. She was the daughter of the duke of York, George V's second son. The prince of Wales (later Edward VIII) was the clear successor. The turbulent, unsettling sequence of events that led to her accession—the abdication of Edward, the heroic role played by her father (then George VI) in WW II, the storybook quality of her romance with Philip, and her coronation- -contributed to her being subject to ``adulation unparalleled since the days of Louis XIV.'' The underlying theme of this book is how this all changed, despite the remarkable job she herself has done. Pimlott carefully argues that Elizabth, who at first relied heavily on her courtiers, gradually assumed more and more control of the monarchy, becoming at last a cool, confident professional, deeply interested in politics and in her people, legendary for her energy and patience. As to the decline of interest in royalty, Pimlott suggests a number of factors having relatively little to do with the queen herself, including the antics of the younger generation of royals, the intrusiveness of the press, the decline in respect for institutions, the transfer of British interests to Europe rather than the Commonwealth. Reflecting the greater openness that now characterizes discussion of the royals, Pimlott tartly notes, for instance, that the union of Charles and Diana was ``a marriage of convenience that was disguised to everybody, including themselves, as a lovematch.'' He concludes with a paradox: ``a pilloried family, a much criticized institution, even a widely questioned role—and yet, a valued incumbent.'' He is, perhaps, exaggerating the institution's difficulties. But no one has analyzed these problems with greater acuteness or more sense. (69 b&w photos, not seen)
Pub Date: Sept. 19, 1997
ISBN: 0-471-19431-X
Page Count: 668
Publisher: Wiley
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1997
Conor Cruise O'Brien may or may not be ``the greatest living Irishman'' or ``the most important Irish nonfiction writer of the 20th century,'' but he has certainly found a splendid biographer in historian Akenson (History/Queen's Univ., Ontario). Born in 1917, O'Brien could seemingly do everything but math. He supported himself with prizes at university; wrote literary criticism; was on the fast track in the Irish Foreign Office until he jumped off it, carrying out too exactly the unattributable wishes of UN Secretary-General Dag Hammarskjîld; was vice chancellor of the University of Ghana, a New York academic, an Irish Cabinet minister, editor-in-chief of The Observer, and the author of seminal books on Ireland and Edmund Burke. Along the way he became the enfant terrible of the UN, not only revealing in his To Katanga and Back how it worked but doing it in such entertaining fashion that Akenson calls it ``the first successful picaresque novel of postcolonial Africa, but...a novel that is built almost entirely of fact.'' He showed enormous courage in Ireland, denouncing the constitutionally asserted right of the South to exercise jurisdiction over Ulster as ``essentially a colonial claim'' and campaigning ceaselessly against the romanticization of violence. It would be surprising, in a life devoted to journalism and crusades of one kind or another, if O'Brien had not gone off the rails from time to time as he did in the late 1960s: His castigation of Western imperialism as ``one of the greatest and most dangerous forces in the world today'' and his statement that containing communism was one of the greatest dangers to world peace suggest his limitations. But his courage, his honesty, his restless mind, and his eloquent writing assured him of a wide audience, and his States of Ireland and The Great Melody have both been remarkably influential books, the latter, according to Akenson, ``among the great biographies of the 20th Century.'' This, too, is a very fine biography, full of wit, verve, candor, and a critical appreciation of its subject.
Pub Date: Oct. 1, 1994
ISBN: 0-8014-3086-0
Page Count: 563
Publisher: Cornell Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1994
Standard entertainment news, with a sad story and some interesting Barr background, from a sibling with an ax to grind. Roseanne's wounded younger sister Geraldine tells her side of the story, from their childhood in Salt Lake City through their 1990 break-up, with Schwarz (co-author of The Peter Lawford Story, not reviewed, etc.) as literary enabler. ``We'' is a very important pronoun in this book. Roseanne and Geraldine dreamed of becoming the Jewish sisters who took Hollywood. In the early 1980s, empowered by sisterhood and ``Sisterhood,'' Geraldine mapped out a ten-year plan to launch Roseanne to stardom as America's Domestic Goddess. Roseanne was the performer in their sister act; Geraldine ``delighted in being backstage...making the spotlight possible for my big sister while never challenging her right to be the sole occupier of its glow.'' They wanted their own sitcom, starring Roseanne as a blue-collar working woman, and including a sister Jackie, a lesbian modeled after Geraldine. The plan was to use humor to advance their feminist agenda and to start a production company that would bankroll other women. But only one of the two overweight sisters was destined to see the Promised Land. In 1990, wildly successful and just beginning her relationship with Tom Arnold, Roseanne fired Geraldine. Soon after, she accused her parents of incest and child molestation. Geraldine, who sued unsuccessfully for some share in Roseanne's take, defends her parents. There were problems at home, she says; their father was sometimes inappropriately angry. But he was, if anything, the source of Roseanne's talent, an ``influence on her delivery and stage presence.'' With the whole story out of her system, Geraldine forgives ``Rosey'': ``May you one day also come to know such peace despite currently being in the midst of a hell of your own creation.'' A Geraldo show waiting to happen, with the laughs courtesy of Roseanne.
Pub Date: Nov. 1, 1994
ISBN: 1-55972-230-4
Page Count: 341
Publisher: Birch Lane Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1994
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