by Benjamin Beit-Hallahmi ‧ RELEASE DATE: Dec. 1, 1993
A critical and largely one-sided view of modern Zionism and the history of Israel. According to Beit-Hallahmi (The Israeli Connection, 1987), who sees the Palestinians as innocent victims of foreign colonialism, Israel is plagued by a curse—``the curse of the original sin against the native Palestinians''—and there will be no peace until it atones for its sins. The author first establishes that, in modern times, the majority of Jews have had only a vague understanding of rabbinical Judaism (which he depicts as a kind of primitive mythology). Zionism, he says, offers these ``sociological'' Jews an identity—but the Zionist movement is doomed because ``it desired national territory occupied by another national group...with its own normal existence.'' Moreover, because the Jewish people have no legitimate claim to the land of Israel, while they occupy it they can never enjoy their own ``normal'' existence. Though provocative, Beit-Hallahmi's argument is marred by inaccuracies and generalizations. He claims, for instance, that ``all Israelis have come to recognize Zionism's original sin against the Palestinians.'' A look at Israel's electorate, however, makes it clear that most Israelis assume no such culpability. Furthermore, in discussing Hebrew and Yiddish, the author contends that ``Yiddish remains the language of the Orthodox, who have always opposed Zionism.'' In fact, though, most Israeli Orthodox Jews under age 60 speak only Hebrew, and only a small minority aren't fervent nationalists. Engaging but misleading. Here again, as in too much writing on the Middle East, sincerity has replaced balanced analysis.
Pub Date: Dec. 1, 1993
ISBN: 1-56656-130-2
Page Count: 224
Publisher: N/A
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 15, 1993
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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