Patient readers in no hurry will savor Black’s dark, vivid mural of Prague at the turn of the 16th century.
The first night a young scholar arrives in Prague (in 1599) he becomes entangled in court intrigue and murder.
Black, the pen name for Man Booker Prize–winning novelist John Banville, here impresses with his literary dexterity as he spins from hard-boiled detective fiction (Even the Dead, 2016, etc.) to a rich, expansive, if sometimes discursive, historical mystery. On Christian Stern’s first night in wintry Prague, the 25-year-old scholar and alchemist stumbles across the body of a beautiful woman he guesses to be 17 or 18, “a deep gash across her throat, like a second, grotesquely gaping mouth…her head…resting in a pool of her own life-blood, a black round in which the faint radiance of the heavens faintly glinted.” The young woman was Magdalena Kroll, daughter of Dr. Ulrich Kroll, court physician to the Holy Roman Emperor Rudolph II. Of late, Magdalena had deserted her lover, Jan Madek, to become the emperor’s mistress. In this dangerous city, simply being at the site of the murder makes Stern a suspect, and soon the eccentric Rudolph calls him to court. A believer in the occult, the emperor thinks Stern is the manifestation of a dream he had in which Christ sends a savior to him to protect the throne against the Turks. Rudolph charges Stern with finding Magdalena’s murderer, a task hastened by Stern’s fear that if he fails, he will be executed. Shortly, Madek’s body, brutally mutilated, turns up in a moat. Stern’s hunch that Madek killed Magdalena and then was murdered in revenge is dashed when Dr. Stern’s examination of Madek’s corpse finds he was killed well before Magdalena was. Feeling inadequate to the task of solving the crimes, Stern nevertheless persists. His wit and curiosity lend style to the tale he narrates but also slow its pace—the new detective never meets an alley or a character he can’t resist exploring, knowing, and expounding upon. However languorous the tale sometimes becomes, Stern moves it to a denouement that befits the treacherous times.
Patient readers in no hurry will savor Black’s dark, vivid mural of Prague at the turn of the 16th century.Pub Date: June 6, 2017
ISBN: 978-1-62779-517-3
Page Count: 320
Publisher: Henry Holt
Review Posted Online: March 20, 2017
Kirkus Reviews Issue: April 1, 2017
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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