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WHITE SHADOW

Disarmingly plainspoken narration brings into sharp relief both individuals and a world in wartime crisis.

The second novel in Jacobsen’s Ingrid Barrøy trilogy is set during Norway’s World War II occupation by Germany, telescoping the national predicament through the narrow lens of a solitary woman’s experience.

Seasons, representing both change and constancy, are again Jacobsen’s central organizing principle, this time covering not generations but one year. A decade after The Unseen (2020) ended, most inhabitants of Barrøy, an island in a remote archipelago, have scattered. Only Ingrid, now 35, remains to follow an isolated, hand-to-mouth routine. Jacobsen built the earlier novel upon an accumulation of small daily moments, but Norway’s German occupation offers more conventional drama. Germans are stationed on the main island, a hard boat ride away but within Ingrid’s sight. In late autumn she is jolted when bodies in tattered, unrecognizable uniforms mysteriously turn up on Barrøy. One is barely alive. Ingrid nurses him and they become lovers in an intense idyll that can’t last. Days after he escapes (with her help), she awakens in a faraway hospital room with no memory of what happened in the days since their farewell. With her doctor’s help, she recovers shards of memory about a visit from a German officer and local police chief searching for her soldier, who was probably a Russian POW; but she resists remembering too much. Back on Barrøy by early winter, she is joined by her aunt Barbro, who intuits that Ingrid is pregnant. As more memories return, Ingrid worries the father might be one of the men who visited, but what happened with them is discussed only obliquely. This is minimalist fiction with a protagonist of impressive competence—traveling home on a whaler filled with ragged evacuees from Finland and Lapland, Ingrid takes charge of their care, then helps them settle on the main island—but with little interest in revealing herself. And yet Ingrid is a kind of magnet. Her doctor is attracted to her “intuitive” intelligence, as are the whaler’s captain and several youthful evacuees who move to the island to fish and help Ingrid build a new house. Before long, Barrøy's former inhabitants also begin to trickle home, creating new dramas and possibilities.

Disarmingly plainspoken narration brings into sharp relief both individuals and a world in wartime crisis.

Pub Date: April 6, 2021

ISBN: 978-1-77196-403-6

Page Count: 272

Publisher: Biblioasis

Review Posted Online: Dec. 25, 2020

Kirkus Reviews Issue: Jan. 15, 2021

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE GOD OF THE WOODS

"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.

Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.

One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.

"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.

Pub Date: July 2, 2024

ISBN: 9780593418918

Page Count: 496

Publisher: Riverhead

Review Posted Online: April 13, 2024

Kirkus Reviews Issue: May 15, 2024

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