Disarmingly plainspoken narration brings into sharp relief both individuals and a world in wartime crisis.


The second novel in Jacobsen’s Ingrid Barrøy trilogy is set during Norway’s World War II occupation by Germany, telescoping the national predicament through the narrow lens of a solitary woman’s experience.

Seasons, representing both change and constancy, are again Jacobsen’s central organizing principle, this time covering not generations but one year. A decade after The Unseen (2020) ended, most inhabitants of Barrøy, an island in a remote archipelago, have scattered. Only Ingrid, now 35, remains to follow an isolated, hand-to-mouth routine. Jacobsen built the earlier novel upon an accumulation of small daily moments, but Norway’s German occupation offers more conventional drama. Germans are stationed on the main island, a hard boat ride away but within Ingrid’s sight. In late autumn she is jolted when bodies in tattered, unrecognizable uniforms mysteriously turn up on Barrøy. One is barely alive. Ingrid nurses him and they become lovers in an intense idyll that can’t last. Days after he escapes (with her help), she awakens in a faraway hospital room with no memory of what happened in the days since their farewell. With her doctor’s help, she recovers shards of memory about a visit from a German officer and local police chief searching for her soldier, who was probably a Russian POW; but she resists remembering too much. Back on Barrøy by early winter, she is joined by her aunt Barbro, who intuits that Ingrid is pregnant. As more memories return, Ingrid worries the father might be one of the men who visited, but what happened with them is discussed only obliquely. This is minimalist fiction with a protagonist of impressive competence—traveling home on a whaler filled with ragged evacuees from Finland and Lapland, Ingrid takes charge of their care, then helps them settle on the main island—but with little interest in revealing herself. And yet Ingrid is a kind of magnet. Her doctor is attracted to her “intuitive” intelligence, as are the whaler’s captain and several youthful evacuees who move to the island to fish and help Ingrid build a new house. Before long, Barrøy's former inhabitants also begin to trickle home, creating new dramas and possibilities.

Disarmingly plainspoken narration brings into sharp relief both individuals and a world in wartime crisis.

Pub Date: April 6, 2021

ISBN: 978-1-77196-403-6

Page Count: 272

Publisher: Biblioasis

Review Posted Online: Dec. 26, 2020

Kirkus Reviews Issue: Jan. 15, 2021

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An alternately farcical and poignant look at family bonds.


When a family convenes at their Cape Cod summer home for a wedding, old secrets threaten to ruin everything.

Sarah Danhauser is shocked when her beloved stepdaughter announces her engagement to her boyfriend, Gabe. After all, Ruby’s only 22, and Sarah suspects that their relationship was fast-tracked because of the time they spent together in quarantine during the early days of the pandemic. Sarah’s mother, Veronica, is thrilled, mostly because she longs to have the entire family together for one last celebration before she puts their Cape Cod summer house on the market. But getting to Ruby and Gabe’s wedding might prove more difficult than anyone thought. Sarah can’t figure out why her husband, Eli, has been so distant and distracted ever since Ruby moved home to Park Slope (bringing Gabe with her), and she's afraid he may be having an affair. Veronica is afraid that a long-ago dalliance might come back to bite her. Ruby isn’t sure how to process the conflicting feelings she’s having about her upcoming nuptials. And Sam, Sarah’s twin brother, is a recent widower who’s dealing with some pretty big romantic confusion. As the entire extended family, along with Gabe’s relatives, converges on the summer house, secrets become impossible to keep, and it quickly becomes clear that this might not be the perfect gathering Veronica was envisioning. If they make it to the wedding, will their family survive the aftermath? Weiner creates a story with all the misunderstandings and miscommunications of a screwball comedy or a Shakespeare play (think A Midsummer Night’s Dream). But the surprising, over-the-top actions of the characters are grounded by a realistic and moving look at grief and ambition (particularly for Sarah and Veronica, both of whom give up demanding creative careers early on). At times the flashbacks can slow down the story, but even when the characters are lying, cheating, and hiding from each other, they still seem like a real and loving family.

An alternately farcical and poignant look at family bonds.

Pub Date: May 10, 2022

ISBN: 978-1-5011-3357-2

Page Count: 432

Publisher: Atria

Review Posted Online: Feb. 9, 2022

Kirkus Reviews Issue: March 1, 2022

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A curious fetishization of outsiders, outlaws, and the down-and-out.


This debut novel from Walking Dead actor Reedus follows three thematically connected yet narratively unrelated people as they journey to find themselves.

Hunter, a heavily tatted Iraq War vet and self-proclaimed gearhead, attacks his boss at the bike shop after catching him kicking a dog. “Hunter was old school,” the narrator says, rough-hewn but with strong moral fiber and a heart of gold. After learning his father died in a “mysterious house fire” in California, Hunter hops on his Buell S1 motorcycle alongside his buddies Nugget and Itch for a cross-country haul to execute the will. Meanwhile, a wealthy 65-year-old executive named Jack is mugged while traveling aimlessly through South America, neither the first nor the last of his hardships. Jack abandoned his cushy, bloodless office lifestyle after his dying mother told him to “run and never look back,” words he continuously labors to unpack. Finally, Anne, an abused teenage girl in Tennessee, steals her father’s savings and .38 revolver and runs away from home, clobbering her brother upside the head with a cast-iron skillet when he tries to stop her. She connects with her friend Trot, and they join a community of train-hoppers. Co-written by Bill, the story reads like a pastiche of Robert Pirsig’s Zen and the Art of Motorcycle Maintenance and Jack Kerouac’s On the Road, the latter of which is name-dropped as “great” by multiple characters. Though occasionally hitting some beautiful imagery of the American heartland, Reedus falls victim to implausible dialogue—“Fabiola, you are reading me like a stock report,” Jack says—and overcooked language: “flesh the color of a high-dollar medium-roast coffee bean.” Frequently wordy summaries do little to develop the thinly sketched characters; we know nearly as much about them on Page 25 as on Page 250.

A curious fetishization of outsiders, outlaws, and the down-and-out.

Pub Date: May 10, 2022

ISBN: 978-1-09-416680-3

Page Count: 292

Publisher: Blackstone

Review Posted Online: March 16, 2022

Kirkus Reviews Issue: April 1, 2022

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